The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The World According to Allee Willis 2024 - Movies (Mar 25th)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
Apocalypse Z The Beginning of the End 2024 - Movies (Jan 10th)
Get Away 2024 - Movies (Jan 10th)
The Gardener the Buddhist and the Spy 2025 - Movies (Jan 10th)
Den of Thieves 2 Pantera 2025 - Movies (Jan 9th)
Sons of Ecstasy 2025 - Movies (Jan 9th)
Normans Rare Guitars Documentary 2024 - Movies (Jan 9th)
Sudan Remember Us 2024 - Movies (Jan 9th)
Subservience 2024 - Movies (Jan 9th)
The Naughty List of Mr. Scrooge 2024 - Movies (Jan 9th)
Better Man 2024 - Movies (Jan 8th)
Armor 2024 - Movies (Jan 7th)
George A. Romeros Resident Evil 2025 - Movies (Jan 7th)
Venom The Last Dance 2024 - Movies (Jan 7th)
The Man in the White Van 2024 - Movies (Jan 7th)
Katangari Goes to Town 2025 - Movies (Jan 7th)
All In with Chris Hayes - (Mar 26th)
The One Show - (Mar 26th)
The Rachel Maddow Show - (Mar 26th)
Studio 60 on the Sunset Strip - (Mar 26th)
No Gamble No Future - (Mar 26th)
Berlin ER - (Mar 26th)
Fixer to Fabulous - (Mar 26th)
The Beat with Ari Melber - (Mar 26th)
Daredevil- Born Again - (Mar 26th)
Mythic Quest - (Mar 26th)
Dogs Behaving (Very) Badly - (Mar 25th)
Great British Menu - (Mar 25th)
Independent Lens - (Mar 25th)
Piers Morgan Uncensored - (Mar 25th)
The Whole Story with Anderson Cooper - (Mar 25th)
Lets Make a Deal - (Mar 25th)
The Bold and the Beautiful - (Mar 25th)
The Young and the Restless - (Mar 25th)
The Price Is Right - (Mar 25th)
The Last American Vagabond - (Mar 25th)
Lately I find I have a special place in my heart for the Japanese disaster movie of days gone by. They are so much fun, and their filmmakers throw everything but the kitchen sink in, both so that there's something to please everybody and because they're frankly just so chock-full of bizarre yet interesting ideas. It seems like it would have been a great time to make movies there! I enjoyed this a lot, though many aspects weren't understandable to me, like why as the meteor got ever closer to Earth it got so incredibly hot. I can understand, since the Moon influences tides through its gravitational pulls, why there could have been flooding, but the impact on temperature...I suppose it's simply one of those aspects of watching pre-manned space flight science-fiction films in which you have to approach simply with fun and acceptance, and turn off your disbelief, to simply enjoy the ride. I have no problem with that approach for these films. Cool ideas I really liked were the way one of the aliens altered its appearance so that the warning would be listened to, so that both worlds could be saved, and the concept that when a world crisis occurs, different countries and cultures--and various planets, for that matter--can sit down and work things out together, that all is not lost for civilization and its discontents in 2016. It's thoughts like that that help me sleep at night. This would make a great double bill with 'Melancholia'.
Some benign alien visitors decide to visit Earth in their star-shaped craft. Needless to say, their arrival above causes a degree of panic, so one of them decides to take a leap of faith and try to communicate directly - assuming the form of a nightclub singer. Her mission - well, that is to warn mankind of an impending collision with a meteor that will wipe us all out. It now falls to "Dr. Matsuda" (Isa Yamagata) to develop a weapon that might destroy it, and save humanity. This is actually quite a decently paced story. It is the effects - especially the aliens who look like small children in starfish costumes - that rather detract from that. Indeed, they raise way to many smiles far too often for any deeper, more meaningful aspects of the story to generate or sustain any traction. The acting is petty terrible, too.... Watchable, though - it does have an underlying moral that bears some examination.
In Arborville, California, three high school students try to protect their hometown from a gelatinous alien life form that engulfs everything it touches.
A government agent stumbles upon an alien conspiracy to conquer Earth. Using a blue liquid created by the aliens to make soldiers stronger, he becomes The Prototype-the only hope for mankind.
French nuclear tests irradiate an iguana into a giant monster that viciously attacks freighter ships in the Pacific Ocean. A team of experts, including Niko Tatopoulos, conclude that the oversized reptile is the culprit. Before long, the giant lizard is loose in Manhattan as the US military races to destroy the monster before it reproduces and it's spawn takes over the world.
Near a gray and unnamed city is the Zone, a place guarded by barbed wire and soldiers, and where the normal laws of physics are victim to frequent anomalies. A stalker guides two men into the Zone, specifically to an area in which deep-seated desires are granted.
The four turtles travel back in time to the days of the legendary and deadly samurai in ancient Japan, where they train to perfect the art of becoming one. The turtles also assist a small village in an uprising.
A team of elite commandos on a secret mission in a Central American jungle come to find themselves hunted by an extraterrestrial warrior.
Ray Ferrier is a divorced dockworker and less-than-perfect father. Soon after his ex-wife and her new husband drop off his teenage son and young daughter for a rare weekend visit, a strange and powerful lightning storm touches down.
A fleet of Martian spacecraft surrounds the world's major cities and all of humanity waits to see if the extraterrestrial visitors have, as they claim, "come in peace." U.S. President James Dale receives assurance from science professor Donald Kessler that the Martians' mission is a friendly one. But when a peaceful exchange ends in the total annihilation of the U.S. Congress, military men call for a full-scale nuclear retaliation.
The film consists of re-edited material from the original television series Ultraman. Episodes 1, 8, 26, and 27 were used for the film. They were narrated by Hikari Urano as an "Ultraman Documentary". Allegedly only one new scene was shot, and that some parts of the movie where shot in black and white for unknown reasons. The movie screened at the same time as the Toho movie King Kong Escapes.
While scavenging the deep ends of a derelict space station, a group of young space colonizers come face to face with the most terrifying life form in the universe.
In the 22nd century, scientists from an energy-depleted Earth research new fuel sources in the far corners of the solar system, where they discover an ancient alien race from Jupiter as well as the emergence of an apocalyptically dangerous black hole. Koji Hashimoto's 1983 sci-fi adventure was conceived as a Japanese competitor to the upcoming sequel to Stanley Kubrick's classic 2001, titled 2010, and often mirrors the sequel's plot.