A Father… A Son… Once Upon a Time in Hollywood

A gifted student, Annie Girardot thought for a while of becoming a nurse, before passing the entrance exam to the Conservatory. She leaves with two first prizes in comedy. In the theater she triumphed in "The Typewriter" by Jean Cocteau. It was Cocteau who made her cut her hair to adopt his famous short cut. The cinema opened its doors and she turned with Pierre Fresnay, then with Jean Gabin, in "Le rouge est mis" by Gilles Grangier. The Comédie-Française then asked her to make a choice. It would be the cinema.

She was a prolific self-portraitist, using the canvas as a mirror through all stages of her turbulent and, at times, tragic life. This highly engaging film takes us on a journey through the life of one of the most prevalent female icons: Frida Kahlo. Displaying a treasure trove of colour and a feast of vibrancy on screen, this personal and intimate film offers privileged access to her works and highlights the source of her feverish creativity, her resilience and her unmatched lust for life, men, women, politics and her cultural heritage.

You’d never know this is your home away from home. The surveillance camera outside shows a drab reception area and an unremarkable street in Mexico City; inside, the lights flash, but the tables are empty. Yet preparations are soon underway and fixed categories cease to apply: stubble is removed, make-up applied and strands of hair are teased into place; the camera is trained not on the men themselves, but what they see in the mirror.

The first image is in black and white, upside down and projected into a black box that then becomes the frame. It now hovers like a time capsule near a man’s face. He looks down, listening in on a female guerrilla fighter and translating her words from Fulani. Within the capsule, money is counted and paid out as a new currency, the numbers of the years run backwards in the black box. A 16-mm film glides through the man's hands and is transferred to a laptop screen frame by frame.

Rory Gallagher was the original Irish guitar hero, whose artistry with a battered ’61 Stratocaster became the stuff of legend. Bob Dylan and Muddy Waters admired him, the Rolling Stones tried to hire him – and his fans worshipped him. Clad in faded denim and a checked shirt, he sold 30 million records and became a charismatic icon of Irish music, inspiring musicians such as Brian May, The Edge, Slash and Johnny Marr. But away from the stage, Rory was an intensely private man. His closest confidante was his brother Dónal who accompanied Rory on his rise from their childhood Everly Brothers stage performances and the Showband scene across the North and South of the Irish border through to the deafening heart of the ‘70s rock scene in London – and far beyond. Now, Dónal, along with insights from Rory’s friends and admirers, takes us on a musical journey through the life and career of this shy guitar hero to better understand what made him so great.

Every Wednesday at noon, women who were kidnapped for sexual purpose by the Japanese army during its imperialism and their supporters demonstrate against Japanese government to request official apology and indemnity for their crimes. This documentary portrays sexually abused old women's suppressed story of overcoming of their shame and forced silence.

Portraits of contemporary African women from four West African nations: Burkina Faso, Mali, Senegal and Benin.