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Luther Sledge. A Man Called Sledge is directed by Vic Morrow and Morrow co-writes the screenplay with Frank Kowalski. It stars James Garner, Dennis Weaver, Claude Akins, John Marley, Laura Antonelli, Wayde Preston and Ken Clarke. Music is by Gianni Ferrio and cinematography by Luigi Kuveiller. Luther Sledge (Garner) is a wanted outlaw who upon hearing about a huge gold shipment stored in a prison, promptly assembles his gang and sets about executing a daring robbery. A Pasta Western filmed in Technicolor/Techniscope out of Andalucia in Spain, A Man Called Sledge is a most interesting and entertaining addition to this splinter of Westerns. From the off we are in no doubt that Garner is serving up a character not of his normal portrayal varieties, here he's not heroic, all American or a lovable rogue, he's a bad egg, gruff, rough and tough, and driven by law breaking activities. Added into the mix is a rather cheeky premise, that of gold being stored in a working prison, which is naturally heavily fortified, protected and seemingly impossible to breach, but Sledge and his cohorts have other ideas that gives the narrative and dramatic drive much strength. You couldn't take it with a pope! In spite of the odd flecks of humour, such as a terrific organ sequence and Akins' constant cynical asides (both orally and visually), pic is grim in texture, there will be blood and the unfurling of other hateful human traits. Morrow knows his Pasta Oaters, both as regards visual ticks and via characterisations. So we get camera zooms, low level up-tilts and spins, while the characters range from the foolish to the greedy - to the twitchy and the dumb - and even a howling man! The story plays out through differing back drops, be it a snow storm, an arid landscape or a sweaty bar - not least the imposing prison at the centre of the plot - Morrow is taking his story through visual variations. I would have died for you Sledge! There are a number of great scenes to enjoy, usually where action is concerned, not least the quite exhilarating show-piece involving a jailbreak, where here we are treated to top stunt work as dynamite and a Gatling Gun join the usual bullets and blood carnage. Cards are a big feature, as are crosses - cum - crucifixes, the latter providing some striking (and scary) imagery. While all the time Ferrio's varied musical score hits all the right Pasta Western notes. Hell! even the irritating theme song is hauntingly chaotic and thus fitting once the pic reaches its denouement. With the mostly American cast turning in good perfs, and Morrow proving deft at genre compliance, this is very much an under valued pic and worthy of either seeking out for a first time view or for reevaluation purpose. 7.5/10
While the Civil War rages on between the Union and the Confederacy, three men – a quiet loner, a ruthless hitman, and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.
Two bounty hunters both pursue the brutal and sadistic bandit, El Indio, who has a large bounty on his head.
As the railroad builders advance unstoppably through the Arizona desert on their way to the sea, Jill arrives in the small town of Flagstone with the intention of starting a new life.
At the beginning of the 1913 Mexican Revolution, greedy bandit Juan Miranda and idealist John H. Mallory, an Irish Republican Army explosives expert on the lam from the British, fall in with a band of revolutionaries plotting to strike a national bank. When it turns out that the government has been using the bank as a hiding place for illegally detained political prisoners - who are freed by the blast - Miranda becomes a revolutionary hero against his will.
The Man With No Name enters the Mexican village of San Miguel in the midst of a power struggle among the three Rojo brothers and sheriff John Baxter. When a regiment of Mexican soldiers bearing gold intended to pay for new weapons is waylaid by the Rojo brothers, the stranger inserts himself into the middle of the long-simmering battle, selling false information to both sides for his own benefit.
Young boy who sees his father gunned down kills the assassin. Years later, he has grown up to be a successful bounty hunter who is feared by many. And then one day he discovers secrets to his past...
Maurizio Merli stars as a hatchet-wielding bounty hunter with a dark past and an even more desperate future. But when he disrupts the balance of power in a corrupt mining town, he unleashes a firestorm of brutality, betrayal and cold-blooded murder. Now, one man stalks a savage land where justice walks a razor and no bullets slice deeper than vengeance. He is A MAN CALLED BLADE.
Ruthlessly pursued by the Rogers family following a dispute over cattle, Ben Caine is chased back to the Caine Ranch. Despite his wife Maria's desperate pleading, the Rogers family hangs Ben Caine, forcing Maria to watch. Consumed with revenge but finding her two brothers-in-law reluctant to assist, Maria enlists the help of Manuel. He agrees to Maria's plan with reluctance, in part because of his deep feelings/attraction to her. Manuel finds employment as foreman at the Rogers' ranch and surreptitiously kidnaps Pa Rogers' only daughter Johanna . With Johanna as the bait, Maria will be in the perfect position to exact her revenge on the Rogers but things don't turn out quite as planned.
The legendary Tomas Milian stars as Cuchillo, a knife-throwing thief on the run from murderous bandits, sadistic American agents, his hot-blooded fiancée and a sheriff turned bounty hunter, all of whom are gunning for a hidden fortune in gold that could finance the Mexican Revolution.
The simple story has the pair coming to the rescue of peace-loving Mormons when land-hungry Major Harriman sends his bullies to harass them into giving up their fertile valley. Trinity and Bambino manage to save the Mormons and send the bad guys packing with slapstick humor instead of excessive violence, saving the day.
A farmer returns home from the forest to find his family butchered. He decides to hunt down the murderers.