泡姫桃源郷 生中出し出来るスゴテクご奉仕ソープ嬢 篠田ゆう

Miki, Saori, and Keiko are three girls who are invited to join a prostitution group run by Miki's sister, Chibi, and are working as prostitutes. One day, they meet Hideo, a man who wants to be a singer. They learn that Hideo is impotent so they agree to treat him...

Yusaku feels that his wife, Misako, has become more bewitching. This is because Misako's erogenous zones have been completely developed by Yusaku's careful daily sexual techniques. Misako is moaning in Yusaku's arms. She had been so absorbed in sex since last night that she seemed to have forgotten the time. She was living a happy married life that everyone envied, but when Yusaku decided to transfer to Bangkok, she left for Thailand on her own. Feeling lonely being alone, he decides to meet up with his old friend Keiko. However, she was now working at a traveling soap. In order to relieve her loneliness, she asks if he would like to work with her...

Don’t be misled by the title and put your lube away: True Gore II (aka Empire of Madness) (1989)–M Dixon Causey’s follow-up to the eponymous first entry–has virtually no true gore in it at all. Instead, the first half is a compilation of faux-snuff vignettes akin to something you’d find in a SOV horror collection like Snuff Perversions 1 & 2, Snuff Files, The Dead Files, Violations I & II, or even more recent titles like Murder Collection Volume 1. The second half is in turn a send-up of satanic panic style videos like Law Enforcement Guide to Satanic Cults, Devil Worship: The Rise Of Satanism, and countless others shat out during the 80s/90s. The vignettes are hilariously inept to the point where it seems clear that Causey was parodying the shockumentary form. Even the credits are a joke, mocking the seriousness with which shocku producers take themselves, crediting a ‘researcher’ for a film that clearly had none, and a ‘visual archivist’ being listed in place of a cameraman.

Brings together the existential ponderings of the people around us who most deserve to be listened to, those who have lived the longest. We travel the world hearing memories of love and loss, of joy and hardship.

A documentary about young people just starting their higher education and their professional life.

This Feature documentary is about the lives of Louis Brunke and Vladimir Fissenko who rode on horseback from the southern tip of Argentina to Prudhoe Bay, Alaska. It took them five years to cross 14 countries - and they filmed it all.

"In Spring, 1963 Show Magazine called me and asked that I make a film on arts in New York. I told them, why did they want me to make it - didn't they know I was a bit unusual? ... 'We want something unusual,' they said. So I went out and made a newsreel on arts. Show people looked at the rough cut of the film and became very angry. 'But there is nothing about Show Magazine and DuPont fabrics in the movie,' they said. 'What has that to do with the arts in New York!' I said. The battle was short. The film was destroyed. Really, I have no idea what they did with it. This workprint of the first FILM MAGAZINE OF THE ARTS is the only print in existence, as far as I know." - J.M.

This fascinating journey of exploration of the connection of all things in the Universe is narrated by the legendary Sir Patrick Stewart. The film explores the mechanism of connection of all things in the Universe.

Stories of hope and homecoming intersect as Indigenous multimedia changemakers learn and document the teachings of their Elders. Ecko Aleck of the Nlaka'pamux Nation (Lytton, BC,) Alfonso Salinas of the shíshálh Nation (Sunshine Coast, BC,) and Charlene SanJenko of Splatsin of the Secwépemc Nation (Shuswap, BC,) are learning and documenting the traditional cultural teachings and legacies of their Elders, including the impacts of genocide resulting from Canada's Indian Residential School (IRS) system. Calling the audience's attention to the filmmaking process of narrative collaboration between an Indigenous and settler team, this character-driven documentary connects the transformative stories of three Indigenous multimedia changemakers and their four Elders. Infused by Indigenous ceremony, s-yéwyáw: Awaken walks alongside the process of intergenerational healing.

The Russian invasion of Ukraine created an avalanche of abandoned dogs and cats that are now multiplying causing unforeseen consequences.