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On a Saturday night in the "City of Love", two sworn enemies are united in their hatred for someone they despise even more than each other: a gay man.

Three years after the Hiroshima bombing, a teenager helps a group of orphans to survive and find their new life.

Ashley was raised in a picture perfect all-American family with two moms, two grandpas, two uncles, and a little brother. But Ashley has a problem, she has a crush on a boy at school, which is against everything this world has ever taught her.

Daniel LaRusso moves to Los Angeles with his mother, Lucille, and soon strikes up a relationship with Ali. He quickly finds himself the target of bullying by a group of high school students, led by Ali's ex-boyfriend Johnny, who study karate at the Cobra Kai dojo under ruthless sensei, John Kreese. Fortunately, Daniel befriends Mr. Miyagi, an unassuming repairman who just happens to be a martial arts master himself. Miyagi takes Daniel under his wing, training him in a more compassionate form of karate for self-defense and, later, preparing him to compete against the brutal Cobra Kai.

Jesse Aarons trained all summer to become the fastest runner in school. So he's very upset when newcomer Leslie Burke outruns him and everyone else. Despite this and other differences including that she's rich, he's poor, she's a city girl, and he's a country boy the two become fast friends. Together they create Terabithia, a land of monsters, trolls, ogres, and giants where they rule as king and queen.

The extrovert, yet slightly naive Fanny (18) has just relocated to a new high school and is struggling to navigate the social hierarchy where status and likeability seems to be measured only by cute outfits, going to the right parties, and having enough followers. Fanny desperately tries to find acceptance but after a humiliating night, she decides to join forces with Lilja (18), the class’s unapproachable, yet confident outsider. The encounter with Lilja turns Fanny’s world upside down, marking the beginning of a whirlwind friendship journey between the two. With a defiant attitude and without looking back, the girls venture out of their high school microcosm and embarks on a fast-paced journey. But climbing the social ladder requires sacrifices, and the girls struggle to not lose themselves in the process.

The new reality changes the usual life in the village of Babylon. Attempts to communize the small town are met with resistance from the rich people living in the town. The Red Army finally puts down the resistance. Amidst the resistance philosopher Fabian returns to Babylon and tries to prevent bloodshed, but he meets a tragic fate.

Sarah, head of the swimming team, self-harms to deal with the pressures of her life. A burgeoning friendship is her first step towards healing.

Sophia, a new high school student, tries to make friends with Barbara, who tells her that “she kills giants,” protecting this way her hometown and its inhabitants, who do not understand her strange behavior.

After learning that a boy their age has been accidentally killed near their rural homes, four Oregon boys decide to go see the body. On the way, Gordie, Vern, Chris and Teddy encounter a mean junk man and a marsh full of leeches, as they also learn more about one another and their very different home lives. Just a lark at first, the boys' adventure evolves into a defining event in their lives.

An ordinary funeral procession moves along its path from church to cemetery. Observing, you slip from reality into a place where time has lost its linearity, looping through the odd images thrown off by a distorted reality. Images of non-existence, of varying reflections of death issuing from both past and future, concrete yet abstract, horrible yet desirable. A family asks a young psychiatrist to be their guest for a while to untangle the circumstances of their father's illness. He's developed a suicidal fixation for ropes and knots among other things. While deeply involved in analyzing the patient's delirium, the doctor begins to lose track of what is taking place. The task of "how to help" is twisted into "who am I? Doctor or patient? Chance guest, member of this suffering family, or a catholic priest who has dreamed this all up?" In order to get a handle on it all, it's best to start from the beginning, but why do things keep shifting, changing?