I figli di Medea

This omnibus release consists of three playlets filmed and aired during television's Golden Age, and starring some of the legends of film and television. The collection originally ran as a two-hour segment on December 14, 1959, on the anthology series The Play of the Week, broadcast locally in New York City via the independent radio station WNTA. Each "tale" in the anthology was adapted from a single tale by the inimitable Sholom Aleichem, regarded by many as the "Yiddish Mark Twain". Included are: "A Tale of Chelm" starring Zero Mostel and Nancy Walker in the story of a bookseller attempting to buy a goat; "Bontche Schweig" about a poor man (Jack Gilford) whose recent arrival in Heaven makes the angels cry; and "The High School" about a Jewish merchant (Morris Carnovsky) persuaded by his wife (Gertrude Berg) to let their son attend a particular high school despite the enforcement of quotas for Jewish students.

Julie Andrews was nominated for an Emmy for portraying the titular scullery maid who finds true love with a prince in this legendary adaptation of one of the most famous fairy tales of all time. A musical, made-for-television, with music by Richard Rodgers and book and lyrics by Oscar Hammerstein II, it is the only of the legendary composing team's musicals created specifically for that medium. It was originally broadcast live on CBS on March 31, 1957, and was a phenomenal success, viewed by more than 107 million people. Though it originally aired in full color, only a black & white kinescope of the production has survived.

While touring a museum, Rodney Hatch, an unremarkable barber, places an engagement ring intended for his girlfriend on the hand of a statue of Venus, the goddess of love and beauty. From Mount Olympus, Venus witnesses the event and decides to visit Rodney on Earth by magically inhabiting the statue. Hilarity ensues when she starts to fall in love with Rodney and competes with his girlfriend for his attentions. This television version of Kurt Weill's successful Broadway musical is much more faithful to the stage version than the 1948 Ava Gardner film, which changed the story considerably and cut most of the songs.

After enjoying a holiday romance, high school students Danny and Sandy are unexpectedly reunited when she transfers to Rydell High, where she must contend with cynical Rizzo and the Pink Ladies.

Winner of 7 Tony Awards, including Best Musical, The Wiz was a massive Broadway hit which spawned a dismal feature film starring Diana Ross and Michael Jackson. Executive Producers Craig Zadan and Neil Meron have assembled a Tony-winning creative team, the imaginative Cirque du Soleil Theatrical and a diverse cast of showstoppers designed to create an eye-popping new take on the musical unlike anything ever seen.

Adaptation of the 1925 novel by F. Scott Fitzgerald for "Playhouse 90." A Midwesterner becomes fascinated with his wealthy neighbor, who obsesses over his lost love.

Will Stockdale is a country bumpkin drafted into the Air Force and too dumb to realize he's driving everyone around him crazy - no one more than Sgt. King.

A live television adaptation of the popular musical about sharpshooter Annie Oakley joining Buffalo Bill's Wild West Show and falling in love with her co-star, Frank Butler.

In 1956, BLOOMER GIRL was presented in a live television production starring the magnificent Barbara Cook, whose star was then on the rise, with leading roles in CANDIDE and THE MUSIC MAN still in her future. A solid success when it opened on Broadway in 1944, BLOOMER GIRL boasts a glorious score by the legendary team of Harold Arlen and E.Y. Harburg (THE WIZARD OF OZ). The book by Fred Saidy is set at the brink of the Civil War and addresses issues of women's equality (priorities were the right to vote and to wear bloomers, a liberating alternative to hoop skirts) and racial equality.

Live television drama set in a caravan park in the US. Originally presented as a 1959 episode of the Australian anthology drama show Shell Presents starring Michael Pate. It was filmed "live" in Melbourne, then recorded and broadcast in Sydney. The same script was produced in 1956 for American television.

A pitcher of a major-league baseball team finds out that his teammate and pal is desperately trying to hide that he is dying of a terminal disease so the owner won't find out and fire him.