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War Eagle-Probably the greatest guerrilla fighter in the world today. A Distant Trumpet is directed by Raoul Walsh and written by John Twist with the adaptation from Paul Horgan's novel by Richard Fielder & Albert Beich. It stars Troy Donahue, Suzanne Pleshette, William Reynolds, Diane McBain, Claude Akins & James Gregory. Max Steiner provides the musical score and William H. Clothier is the cinematographer. 1883, Fort Delivery, Arizona, and newly posted Lieutenant Matthew Hazard (Donahue) is about to be thrust into two wars. One is of the heart, the other pits him against the last pocket of Indian resistance: the Chiricahua's, led by the mighty War Eagle. A blunderbuss "A" class production from Warner Bros that feels like a "B" class Oater from the 50s, A Distant Trumpet has much to recommend to the Western fan. Driven by a rousing cavalry themed score by Steiner, and beautifully photographed by Clothier around Red Rocks (New Mexico) & Painted Desert (Arizona) in Panavision/Technicolor, it's a film that carries a message and pays respect to the topic to hand. Without doubt the makers are keen to mark it out first and foremost as an adrenaline fuelled Cavalry Vs Indians based picture, with Walsh grandly staging the action sequence with skill (100s of extras/stunt men, no CGI here), but although the script could have done with some more work as regards the characterisations, the screenplay does make rich on the promise of adult themes. While the decision to let the Indian characters speak their own language is also a major bonus. Where it falls down is three fold. Firstly is the problem of asking the average Donahue to carry the film, he may be easy on the eye to those so inclined, but his one note, expressionless, performance is often a distraction to the many splendours around him. Secondly is that the twin lovelies of McBain & Pleshette are underwritten and underused respectively, which in a film that's nearly two hours long (too long and that's the third point) is an act of stupidity. Some would argue that the love triangle sub-plot is an uneasy fit on context to the "war" at the film's core, but it does have value in regards to showing the point of view of the ladies marrying into the army way of life. Yes it should have been formed better, particularly from McBain's (yellow hair, yellow dress and vanilla ice cream skin) character's angle , but it does exist in the narrative and it's good to see. It's far from the great swansong that Raoul Walsh deserved, but its pluses far outweigh the negatives. Be it battle orchestration (cliff top attack rules!), observing the thorn between two roses dynamic or just that it affords respect to the Indians, it's a film easily recommended to the genre fan. Besides which, Steiner and Clothier make it essential viewing. 7/10
Three brothers stop off for a night in the town of Tombstone. The next morning they find one of their brothers dead and their cattle stolen. They decide to take revenge on the culprits.
As a Civil War veteran spends years searching for a young niece captured by Indians, his motivation becomes increasingly questionable.
A group of people traveling on a stagecoach find their journey complicated by the threat of Geronimo, and learn something about each other in the process.
A captured mustang remains determined to return to his herd no matter what.
A sheep farmer brings his new wife to his father's ranch and the old man takes an instant dislike to her.
Army despatch rider Hondo Lane discovers a woman and her son living in the midst of warring Apaches, and he becomes their protector.
The town of Primrose, Arizona is beset by outlaws, so the towns people hire Fletcher Bissell III (A.K.A. The Silver Dollar Kid) as their new sheriff. Fletcher is so cowardly the townsfolk are sure that the local outlaws will be too proud to gun him down. This proves to be the case, and the outlaws hire their own cowardly gunfighter, Chicken Farnsworth, to go up against The Silver Dollar Kid. Written by Jim Beaver
With his bronco-busting career on its last legs, Junior Bonner heads to his hometown to try his luck in the annual rodeo. But his fond childhood memories are shattered when he finds his family torn apart by his greedy brother and hard-drinking father.
In Arizona in the late 1800s, infamous outlaw Ben Wade and his vicious gang of thieves and murderers have plagued the Southern Railroad. When Wade is captured, Civil War veteran Dan Evans, struggling to survive on his drought-plagued ranch, volunteers to deliver him alive to the "3:10 to Yuma", a train that will take the killer to trial.
A government agent uncovers the truth behind a series of raids on a freight company.
Dan Evans, a small time farmer, is hired to escort Ben Wade, a dangerous outlaw, to Yuma. As Evans and Wade wait for the 3:10 train to Yuma, Wade's gang is racing to free him.
