Beach Bitches

When the seaside community of Amity finds itself under attack by a dangerous great white shark, the town's chief of police, a young marine biologist, and a grizzled hunter embark on a desperate quest to destroy the beast before it strikes again.

Riding Giants is story about big wave surfers who have become heroes and legends in their sport. Directed by the skateboard guru Stacy Peralta.

A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.

Lili, a pouty and voluptuous 14-year-old, is caravan camping with her family in Biarritz. She's self-aware and holds her own in a café conversation with a concert pianist she meets, but she has a wild streak and she's testing her powers over men, finding that she doesn't always control her moods or actions, and she's impatient with being a virgin. She sets off with her brother to a disco, latching onto an aging playboy who is himself hot and cold to her. She is ambivalent about losing her virginity that night, willing the next, and determined by the third.

In Mexico, two teenage boys and an attractive older woman embark on a road trip and learn a thing or two about life, friendship, sex, and each other.

Peter Winter is a young schizophrenic who is desperately trying to get his daughter back from her adoptive family. He attempts to function in a world that, for him, is filled with strange voices, electrical noise, disconcerting images, and jarringly sudden emotional shifts. During his quest, he runs afoul of the law and an ongoing murder investigation.

When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.

Monsieur Hulot, Jacques Tati’s endearing clown, takes a holiday at a seaside resort, where his presence provokes one catastrophe after another. Tati’s masterpiece of gentle slapstick is a series of effortlessly well-choreographed sight gags involving dogs, boats, and firecrackers; it was the first entry in the Hulot series and the film that launched its maker to international stardom.

Strange things begin to occurs as a tiny California coastal town prepares to commemorate its centenary. Inanimate objects spring eerily to life; Rev. Malone stumbles upon a dark secret about the town's founding; radio announcer Stevie witnesses a mystical fire; and hitchhiker Elizabeth discovers the mutilated corpse of a fisherman. Then a mysterious iridescent fog descends upon the village, and more people start to die.

Trapped within an eerie mist, the residents of Antonio Bay have become the unwitting victims of a horrifying vengeance. One hundred years earlier, a ship carrying lepers was purposely lured onto the rocky coastline and sank, drowning all aboard. Now they're back – long-dead mariners who've waited a century for their revenge.

Boys On Film showcases short works from around the world that challenge genre, initiate discussion and explore issues of sexuality in beautiful ways. Volume 11: We Are Animals contains eight complete films: Dominic Haxton's "We Are Animals" starring Daniel Landroche, Clint Napier, and Drew Droege; "Burger" from director Magnus Mork; Shaz Bennett's "Alaska Is A Drag" starring Martin L. Washington Jr., Spencer Broschard, and Barret Lewis; Carlos Augusto de Oliveira's "Three Summers" starring Morten Kirkskov and Simon Munk; Nicholas Verso's "The Last Time I Saw Richard" starring Toby Wallace, Cody Fern, and Brian Lipson; Eldar Rapaport's "Little Man" starring Daniel Boys, Darren Evans, and Jamie Thompson; Rodrigo Barriuso's "For Dorian" starring Ron Lea and Dylan Harman; and Bryan Horch's "Spooners" starring Walter Replogle and Ben Lerman.