Eastwood & Co.: Making 'Unforgiven'

Explores the natural history of the otter, depicted through the fictitious account of a day in the life of Otto the Otter and his mother. The narrator claims that the short features "the first film ever taken of an otter swimming underwater."

The earliest 'rockumentary' of John Mayall and his musicians filmed in their homes, dressing rooms, motorways, airports, clubs, concert halls and at festivals.

A short documentary about how "Fulton" the Ukrainian Football Club came together.

In 1886, the United States Department of Agriculture ambitiously commissioned watercolour illustrations of over 3,000 fruit cultivars. In 2019, this collection was digitized. Mesmerizingly detailed, these images now tell an incredible story about the little-known talent of botanical illustrators, and how their work planted the seeds for intellectual ownership over agricultural innovations.

Made by the Department of Immigration to entice immigrants from Great Britain, this film shows an idyllic picture of life in the Western Australian regional town of Geraldton in the mid 1960s.

A young mother, alone with her daughter, confides in a friend who happens to be the director herself. Chantal Akerman, although she sympathizes with the mother, does not say a word.

A fond farewell to London's trams - whose peculiarly endearing qualities were discovered only at the threat of their disappearance.

A quickfire portrait of the New York City ballroom scene in the ‘80s.

This short explores the possibility that Louis XVII, son of King Louis XVI and Marie Antoinette, escaped death during the French Revolution and was raised by Indians in America.

Jürgen Leppert, also known as "Der Dreher" or "der Kreisel" is a graduate engineer, speaker inventor, 360 degree dancer, gifted Frisbee player and thoroughbred 68er. Everything revolves around the Karlsruher legend, and not just on the dance floor. A declaration of love to music, dancing and rebellion. A portrait of a tough person who still swims against the stream and the living proof that 81 years is far from too old for hard raves.

Going into my interview with Laurel Greenfield, I thought the majority of our conversation would be about her inspiration for painting food and why she chose to pursue painting as a career. We spoke about that but ended up having a much bigger conversation about pursuing a creative career. We talked a lot about finding the balance between having a business plan and taking a leap of faith into the unknown, something anyone pursuing a creative field on their own can relate to.