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I had known about this 3-hour long, two part made-for-tv movie for a long time, but it took me a while to get around to watching it. It is very well done, so that even though the dual plots move slowly and with a lot of detail, it kept my interest throughout. It is hard to believe what John Harrison went through all those years working on his clock to be used by sailors to help them know where they are even on the open sea. If Harrison had worked for decades in the hard sciences during a later era, I dare say he would have received a Nobel prize, for it seemed the monetary prize he was seeking from the hopelessly bureaucratic award committee gave him a rougher time than the Nobel committee and fellow scientists ever would have. In the other story thread that took place many years later, the Jeremy Irons character was on a similar Quixotic epic quest, and his marriage suffers even more. I found his plot slightly less interesting, if only because it seemed like the damage to his personal life was more self-inflicted, like perhaps he wouldn't have been a great husband in the best of times. One minor critique I have is that the stories could have paid more attention to the wives. We more or less lose sight of them after we are deep into the story, though they both make guest appearances here and there. I can't say I will be tempted to watch Longitude again in the future, but the writing and acting is strong enough for me to recommend it.
Nemo Nobody leads an ordinary existence with his wife and 3 children; one day, he wakes up as a mortal centenarian in the year 2092.
A man reflects on his past through visions of a mysterious figure guiding him through different phases of his life.
After many years of confrontation, the treasures of Spain and France are empty. In 1721, the regent of France draws up an ambitious plan to inaugurate an era of peace and prosperity that will heal the economies of both nations: his intention is to build a solid network of marriage alliances that will involve four children of very different ages who know nothing of betrayals and power games…
As Will struggles to cope with the tragic loss of his father, he and his mother resolve to build a new life by relocating to Houston, Texas. At his new school, Will’s social and learning difficulties lead to a false diagnosis of his condition. Inspired by real events, this film observes one of the loneliest disorders that children recovering from life-altering traumas face.
The French Revolution, 1794. The Marquis de Lafayette asks Charles D'Aubigny to infiltrate the Jacobin Party to overthrow Maximilian Robespierre, who, after gaining supreme power and establishing a reign of terror ruled by death, now intends to become the dictator of France.
1793, French Revolution. For three years now, Charette, a young man retired from the Royal Navy, has been back home. In the country, the anger of the peasants rumbles: they call on the young retiree to take command of the rebellion. In a few months, the idle sailor becomes a charismatic leader and a shrewd strategist, bringing in his wake peasants, deserters, women, old people and children, of which he makes a formidable army. The fight for freedom has only just begun.
Will Plunkett and Captain James Macleane, two men from different ends of the social spectrum in 18th-century England, enter a gentlemen's agreement: They decide to rid the aristocrats of their belongings. With Plunkett's criminal know-how and Macleane's social connections, they team up to be soon known as "The Gentlemen Highwaymen". But when one day these gentlemen hold up Lord Chief Justice Gibson's coach, Macleane instantly falls in love with his beautiful and cunning niece, Lady Rebecca Gibson. Unfortunately, Thief Taker General Chance, who also is quite fond of Rebecca, is getting closer and closer to getting both.
Zoë's encounter with a vintage clock triggers a profound exploration of grief and acceptance following the sudden loss of her friend, Teddy. Through her journey, she discovers that true healing lies in embracing the memories they shared and finding comfort in the present, rather than attempting to alter the past.
