Stig Møller - et ægte blomsterbarn

Johan wants to see what it takes to become a myth. So he follows in the footsteps of Eik Skaløe, the lead singer of Steppeulvene, who committed suicide in India in 1968. And he would like to do so all the way. Luxury-loving Mikkel is not so wild about Johan's wild life experiments, but nonetheless joins him on the trip, which takes the two Danes across a magical, wild and unpredictable India. A crazy trip, reserved for those who are out of their minds.

Chronicles the life of German feminist, author and activist Alice Schwarzer.

In the 1990s, fearing persecution from the Turkish government, about 2,000 Kurdish refugees of Turkish nationality came to settle in a suburb of Tokyo. Here live Ohzan (18), Ramazan (19) and Memet (38). This documentary focuses on these three young Kurds in Japan.

We no longer see children running around playing in the alleys of Seoul. Starting from elementary school, children go to private classes after their school. However, we see these people who are making efforts to protect children’s right to be a child and play like a child.

Icelandic performance art meets Spinal Tap in this wickedly fun look at women behaving creatively. Three bandmates, Álfrún, Saga and Hrefna, of The Post Performance Blues Band, are tired of playing to audiences of five at their gigs and getting paid in beer. Each of them is staring down 40 and exhausting themselves juggling motherhood and their artistic pursuits. They decide to give themselves one year to either become popstars or quit the band for good. What follows is a make-it-or-break-it story of a band that's not really a band, pursuing a goal that is not actually attainable. Band member and filmmaker Álfrún Örnólfsdóttir puts herself, along with age and gender bias, on stage in this docu-parable about talented but not teenaged women trying to be successful in a youth-obsessed, overnight-success industry. Band allows gifted artists to perform the resilience and sisterhood that truly exists between life's messes, rejections and triumphs.

Is nuclear energy the solution to the climate crisis? Whether it is the only carbon-neutral technology capable of tackling the crisis or a fatally convenient stopgap, time is running out.

Galvanized by the number of white women who voted for Donald Trump, two women of colour envision what unity looks in the United States. But instead of marching through the streets, they take a different approach. Race2Dinner was born, an afternoon of wining, dining and honest conversations about white supremacy and unconscious biases that white women live by. Navigating everyday privileges and cultural differences, the bold intervention changes minds and opens eyes for some, while others turn away because it is too hard. Everything is on the table to eat and unpack, but there is only one rule: no crying at the dinner table.

When international sport governing bodies rule that 'identified' female athletes must medically alter their healthy bodies under the guise of fair play, four champion runners from the Global South fight back against racism, the policing of women's bodies in sport, and the violation of their human rights.

Accused of staging a fake hate crime in Chicago and sentenced to five months behind bars for lying to the police, Jussie Smollett has become synonymous with a hoax that underscored the larger cacophony of racism, homophobia, and political fissures in America.

Every winter in a cemetery near Stockholm, activists gather to keep the memory of Fadime Sahindal alive. A Kurdish immigrant to Sweden who was murdered by her father in 2002, Fadime has become an international symbol of the debate over cultural traditions that accept the use of violence to control women's behaviour. In Crimes Without Honour, four extraordinary activists risk everything to publicly challenge these traditions and tell their own stories of physical and emotional violence. While they practice different faiths, hail from different parts of the world and have immigrated to different countries, all make it crystal clear that the justification for these crimes is an entrenched family power structure of male supremacy—one that crosses borders, cultures and religions. Raymonde Provencher has crafted a vital addition to a growing body of films about crimes related to patriarchal traditions of family honour.

Since the early 1990s, when a bloody civil war broke out in Algeria between the government and Islamist militants, the concept of haram—the forbidden—has demanded the rigid separation of men and women. Café Désirs is a fascinating look at a generation of young, single Algerian men as they come of age in the ancient city of Constantine, trapped between strict religious virtue and sexual desire. Three eloquent guides take us into the male-only world of cafés and hookah lounges, to talk openly about their lives, their frustrations with work and the social dangers of living in a sexually repressed society. It's a world especially fraught for those pursuing same-sex relationships, which are illegal and severely punished. Café Désirs is an engaging and complex exploration of male sexuality and gender politics in a country still struggling with the aftermath of civil war and colonialism.