The Path to Redemption

"Arkansas is one of the worst places to be a renter in America. It is the only state in the US where tenants are treated as criminals for paying rent late and landlords are not required by law to maintain their properties. "Its failure-to-vacate law lets landlords give tenants a 10-day eviction notice if they are even one day overdue. Tenants who can't or won't leave within that span face fines for every day they remain on the property and up to 90 days in jail. "This makes things difficult for the third of Arkansas's residents who are renters and have legitimate concerns about the properties they are occupying. The combination of failure-to-vacate and the lack of warranty of habitability make it almost impossible for tenants to challenge their landlords for legitimate reasons. It's estimated that criminal evictions occur everyday in Arkansas, resulting in over 2000 failure-to-vacate cases being filed each year."

In 1987, a team of outsiders attempt to break a hallowed baseball record in a desperate bid for fame, fortune, and careers in the major leagues. Even if they succeed, no athlete can play forever — and what comes after the death of a dream?

A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.

An intimate and moving meditation on the late musician and artist Kurt Cobain, based on more than 25 hours of previously unheard audiotaped interviews conducted with Cobain by noted music journalist Michael Azerrad for his book "Come As You Are: The Story of Nirvana." In the film, Kurt Cobain recounts his own life - from his childhood and adolescence to his days of musical discovery and later dealings with explosive fame - and offers often piercing insights into his life, music, and times. The conversations heard in the film have never before been made public, and they reveal a highly personal portrait of an artist much discussed but not particularly well understood.

This film is the result of more than two years of work tracking down archive material and witnesses close to Mobutu in Africa, Europe and the U.S. More than 950 hours of footage have been seen by the world. Among the 104 hours selected as the basis for this film, are 30 hours of archives recently discovered in Kinshasa and never before released. Completing these exceptional documents, are more than 50 hours of interviews with those close to the former president and the events surrounding his reign, conducted by the director in Kinshasa, Brussels, Paris and Washington. Like a vast historical puzzle, this film pieces together the tragic history of a country, and its self-styled leader - the dictator, Mobutu Sese Seko, "King of Zaïre".

Robert Altman's life and career contained multitudes. This father of American independent cinema left an indelible mark, not merely on the evolution of his art form, but also on the western zeitgeist. With its use of rare interviews, representative film clips, archival images, and musings from his family and most recognizable collaborators, Altman is a dynamic and heartfelt mediation on an artist whose expression, passion and appetite knew few bounds.

Filmed record of a major rock and roll festival held at Wembley Stadium, London, in August 1972. London Rock and Roll Show begins with excerpts from numerous "warm-up" performers shown singing either covers of 1950s hits, or original tunes, including a performance by Screaming Lord Sutch that threatens to end the concert prematurely when he brings a stripper on stage. The main concert segment begins with Bo Diddley and continues with a string of other major performers including Jerry Lee Lewis, Little Richard, and Bill Haley and His Comets. The concert ends with an extended performance by Chuck Berry, who at the time was enjoying major chart success in Britain and the US with his "My Ding-a-Ling" (although he does not perform that song in this film). Mick Jagger also appears in several non-musical interludes in which he is interviewed about the performers.

Subjects of Desire is a thought provoking film that examines the cultural shift in beauty standards towards embracing (or appropriating) Black aesthetics and features, deconstructing what we understand about race and the power behind beauty.

In 1958, when Sam Cooke crossed over from gospel to popular music, he ran the risk of alienating his gospel fans by embracing "the devil's music." Instead, he set in motion a chain of events that altered the course of popular music and race relations in America.

Twice III in Seoul, official concert filmed for DVD & Blu-Ray.