The Tiger's Claw

In a small village in Darjeeling, Sahuji the merchant has weaved a web of corruption in every layers of the social fabric. And he is also involved in rampant smuggling of goods across the border, and everyone from the local jeweler to the local police inspector are part of his intricate web. While the father has created a position of influence by spreading corruption, his son Kaaliram has ushered in a reign of terror. Desperate villagers make a plea to the owner of the tea garden, who calls (presumably) the higher ups in police force and they promise to send someone.

For Miranda Wells, moving to New York to live in Dragonwyck Manor with her rich cousin, Nicholas, seems like a dream. However, the situation gradually becomes nightmarish. She observes Nicholas' troubled relationship with his tenant farmers, as well as with his daughter, to whom Miranda serves as governess. Her relationship with Nicholas intensifies after his wife dies, but his mental imbalance threatens any hope of happiness.

A poor army veteran in Taiwan adopts a daughter. She grows up and leaves him to enter show business. When she becomes famous she shuns her father and friends.

Min-cheol goes down to the countryside to focus on the foundation project. He meets Gyu-ri, a scenario writer. They fall in love and spend a hot night together but the next day she disappears. Will he be able to find the 'perfect size'?

Author David Marshall is sandbagged by holdup men and loses his memory. He finds his way to a bookshop run by his friend Ladd, who takes him in with the hope of helping him to regain his memory. David there meets Hope Masterson and falls in love with her. Bill Dorgan, a gangster in love with Hope, kidnaps her, and David comes to her rescue. David is hit again on the head, and this time he regains his memory. He still recognizes Hope, however, and they look forward to a long and happy life together.

A donkey strays into a village dominated by the upper caste Brahmins.

Taking an experimental approach to the relationship between the written text and moving image, Mani Kaul has a series of texts read aloud in voice-overs (poetry, essays, and stories), while the characters within the texts walk through real or imaginary landscapes.

In his debut feature film, Kumar Shahani employs highly innovative forms for depicting the conflict between oppressive feudal norms and a changing industrial landscape while making female sexuality and its complex mindscape the focus. The protagonist, Taran, the younger daughter of a Rajasthani zamindar revolts against the social code set by the class system by a sexual encounter with an engineer. This film was one of the earlier and successful examples experimentation in colour during the advent of New Indian cinema.

The historical rearguard last stand that took place on 13 July 1660 at a mountain pass in the vicinity of fort Vishalgad, near the city of Kolhapur, Maharashtra, India between the Maratha Warrior Baji Prabhu Deshpande and Siddi Masud of Adilshah Sultanate, known as Battle of Pavan Khind.

In a drought-stricken city in India, the emperor Maharaja Dhiraj Chandrasen, who has two wives, and no children, orders all kinds of rituals to appease the Rain Gods

In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.