Tom Merritt

In the winter of Berlin, two former lovers meet for the first time since the breakup.

Joel Barish, heartbroken that his girlfriend underwent a procedure to erase him from her memory, decides to do the same. However, as he watches his memories of her fade away, he realises that he still loves her, and may be too late to correct his mistake.

Juan and Pilar return to Mexico City on the same train. Destiny cross their paths in a taxi stop, off the train station. A cab arrives and they take each other's baggage by mistake. After that, they spend two days looking for each other, trying to recover their stuff. In the meantime, Juan reads Pilar's diary and she listens to his thoughts recorded on tape. Love begins to grow between these two proper strangers.

Film about the police brutality in dealing with homosexual public demonstration of affection. A gay couple is tortured and harassed because they are kissing on the streets of Rio.

The animated adventures of "Tonka Tom" a gay plastic cowboy. Hitch-hiking, two-stepping at the local gay bar, and enjoying a campfire with a friend and his trusty dog.

Thief Gaston Monescu and pickpocket Lily are partners in crime and love. Working for perfume company executive Mariette Colet, the two crooks decide to combine their criminal talents to rob their employer. Under the alias of Monsieur Laval, Gaston uses his position as Mariette's personal secretary to become closer to her. However, he takes things too far when he actually falls in love with Mariette, and has to choose between her and Lily.

Holly Woodlawn is an aimless, lovelorn beauty in this seventies silent short.

An experimental summation of the connective space and sense of re-discovery between two people in a long-distance relationship.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

A young man meets a young woman under a bridge by a railroad. They shelter from the rain and exchange a kiss. The man grows sullen and leaves. The film starts with him and ends with her. It’s a straightforward anecdote told in traditional ways, the likes of which he’d forsake forever; that is, it uses actors, a soundtrack with music and post-dubbed sound effects, a photographer who frames everything professionally and a coherent edited narrative.

A husband-and-wife team play detective, but not in the traditional sense. Instead, the happy duo helps others solve their existential issues, the kind that keep you up at night, wondering what it all means.