Children Of The Soil

4, April, 2014. Worker's who worked in "SaengTak" are get to the struggle to require adjust of working environment for safely food, and guarantied a Three Right of labors. Then. Worker's tried to record there's own struggle and launch forth to street, However, Law, Capital, unconcern of crowd and avoid of famille are swallow up them.

An ascetic walks through the narrow streets of a village every morning while his family is still asleep. In his semi-somnolent state he dreams about the history of the village mixing up myths, folklore and facts.

A series of three episodes which explore the relationship between men, women and the physical and mental spaces they inhabit.

Rahul, the son-in-law of an old industrialist and one of the heirs to his fortune, clashes with Dinesh, the industrialist’s nephew who is openly unscrupulous. Rahul, on his part, conceals his personal ambition under a cloak of liberalism and encourages indigenous production.

The film explores the campaign waged by the Hindu right-wing organisation Vishva Hindu Parishad to build a Ram temple at the site of the Babri Masjid in Ayodhya, as well as the communal violence that it triggered. A couple of months after Ram ke Naam was released, VHP activists demolished the Babri Masjid in 1992, provoking further violence.

A woman seeks to escape her engagement to a violent politician, but when a stranger comes to her aid, the two face an onslaught of bigotry and hate.

Three hours outside of Addis Ababa, a bright 14-year-old girl is on her way home from school when men on horses swoop in and kidnap her. The brave Hirut grabs a rifle and tries to escape, but ends up shooting her would-be husband. In her village the practice of abduction into marriage is common and one of Ethiopia’s oldest traditions. Meaza Ashenafi, an empowered and tenacious young lawyer, arrives from the city to represent Hirut and argue that she acted in self defense. Meaza boldly embarks on a collision course between enforcing civil authority and abiding by customary law, risking the ongoing work of her women’s legal aid practice to save Hirut’s life.

Bansi and Birju get married in their village. But the villager's find out that Bansi is a prostitute.

In the crowded by lanes of old Delhi, Shuklaji runs a small photo studio as a front for small time crime. Over the years he has groomed a bunch of youngsters in the art of pick pocketing and petty crime. Then one day a girl comes into their midst and then everything collapses.

Two storytellers put forth their versions of the story of Shravan Kumar. The art for the film uses painted images from a wooden portable shrine called a Kaavad. The film is a collaborative work between traditional Kaavad storytellers and Kaavad artists from Rajasthan, together with the filmmaker. Combining lush animation with live-action, the film is an interpretation of two stories which are forever fused in the act of telling and retelling.

Durga Babu, and his wife, Ganga, comes across Shyam, an orphan, who sings and dances on special occasions, and decide to take him home. Shyam meets with their daughter, Radha, and she slowly falls in love with him, but he thinks that she just wants to be friends. In his eyes, Shyam wants to be a free person, not tied down to anyone or anything, and would like to spend the rest of his life wondering, singing, and dancing. When he finds out that the family intend to get him married, he likens his plight to that of a caged bird, and flees, breaking Radha's heart. Will Shyam ever return? What impact will this have on the family?