Aalto

25 BIS is an intimate portrait of a masterpiece from the beginning of Auguste Perret’s career: the building located on 25 Bis, Rue Franklin in Paris. The film looks for the intangible and subjective element of the building’s history: the depth of its human print. The building appears as a sedimentation of life stories where each layer has left the trace of a passage. From the intimate nature of these stories, the film draws this fragile and undefined essence that could be called “the soul of the place”.

Nominated for an Academy Award, this live-action short film playfully chronicles the construction of the Tishman Building at 666 Fifth Avenue in New York City.

The six-decade transformation of a block of houses, shown by means of artfully featured archival shots, highlights the beauty and sadness of human-made decay. In the blink of an eye 66 years pass by and a savings bank replaces a church.

In 1959 Hiroshi Teshigahara shot the following 16 mm footage of he and his father’s first trip to Barcelona and the outlying Catalonian countryside, including a visit to the home of Salvador Dali in Port Lligat. The footage was recorded without sound.

In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)

When two former top orienteers end up in a snowstorm in Lapland wilderness, they face an impossible orienteering task: how to reach your destination when you can't tell earth from sky?

In the same vein as Meri's other documentations, this one takes advantage of the glasnost policy to discuss the social and ecologic impact of the Russian oil industry on the natives and the lands they inhabit.

Architecture is often seen from the outside, as an inanimate object represented in still imagery. ‘REM’ exposes the human experience of architecture through dynamic film.

A portrait of the renowned Finnish architect and designer Alvar Aalto by the radical experimental filmmaker Eino Ruutsalo. Shot in the summer of 1972 at Aalto’s experimental house in Muuratsalo the film briefly and accurately covers the growth, development and creativity of the master architect, presenting his most important work.