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Now then, where to start.... well, it's dreadful. William Shatner plays "Johnny Moon" (mostly white) and his errant twin "Notah" (mostly Comanche) in this appallingly bad western that for some reason managed to attract the attention of Joseph Cotten who plays the Sheriff. "Johnny" keeps getting the blame for the mischief caused by his brother until finally there must be a reckoning. Sadly, this reckoning comes about 90 minutes too late to rescue this nonsense on horseback. The writing (from 4 folks, perhaps each looking after words that started with A-G, H-N; O-T etc. respectively?) is terrible, as is the direction and the score. There is some nice scenery to be seen, if you can open your eyes long enough between squirms but otherwise this is certainly not worth watching, even if the rest of your film collection has been eaten by marauding locusts and your Netflix subscription has been cancelled.
Silver has been found on comanche territory and the government accomplished a peaceful agreement with the indians. When James 'Jim' Bowie comes into the scene he finds the white settlers living near by planning to attack the indians although they know about that agreement and the beautiful Katie seems to play a leading role in this intrigue.
Common efforts of the U.S. government and the Comanche nation to negotiate a peace treaty are sabotaged by renegade Indians and by the short-sighted Indian Commissioner.
When Jim Allen is lynched, his identical twin brother Bob, a Texas Ranger, takes his place in an attempt to flush out the man responsible.
In this western, a paroled desperado and his twin, a preacher, wander about the Old West to bring "salvation." The parson begins trying to help a gang leader's niece whose uncle has been forcing parolees to join him or return to prison. Naturally he tries to rope the paroled twin into his gang.
When Comanches go on the warpath, settlers take refuge in Ft. Eagle Rock commanded by Capt. Jackson. Undercover agent Cliff McPherson arrives at the undermanned fort to lend advice and support. He learns that the Comanches have been stirred up by local rancher Morton who wants to take control of the oil under the Indians' reservation.
As a Civil War veteran spends years searching for a young niece captured by Indians, his motivation becomes increasingly questionable.
After avenging his family's brutal murder, Wales is pursued by a pack of soldiers. He prefers to travel alone, but ragtag outcasts are drawn to him - and Wales can't bring himself to leave them unprotected.
A white man trades with the Comanche for the release of a female stranger and the pair cross paths with three outlaws who have their eyes on the handsome reward for bringing her home and Comanche on the warpath.
Ageing, wealthy, rancher and self-made man, George Washington McLintock is forced to deal with numerous personal and professional problems. Seemingly everyone wants a piece of his enormous farmstead, including high-ranking government men and nearby Native Americans. As McLintock tries to juggle his various adversaries, his wife—who left him two years previously—suddenly returns. But she isn't interested in George; she wants custody of their daughter.
A young man searches for his brother's killer with the help of a gunfighter, a native woman and a traveling medicine man.
A notorious outlaw is recruited by a cattle buyer, secret boss of a gang of cattle rustlers, to impersonate the town sheriff, who is the outlaw's twin brother; and complications ensue, as the sheriff, now a hostage, is on the eve of his marriage while the outlaw's cantina-dancer girlfriend has followed him to town and is at risk of exposing him.