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I was excited to see Bryan Bertino's latest offering. "The Strangers" was an interesting classic introducing masked home invaders in the most unsettling of ways. "The Monster" was a better-than-expected as an estranged mother and daughter are stranded in their car in the woods while being stalked by a monster. "Wicked's" Rotten Tomatoes/Metacritic score was a solid (90%/72) and user reviews were ok (3.2 on IMDB). But for me, it fell completely flat as I kept waiting for something to connect the disparate disturbing scenes and story-line together. Many movies try to tease the viewer with unreliable narrators, leaving them to ponder whether what is happening is supernatural or all in the characters head. "The Babadook," "Black Swan," and "The Lighthouse" are examples of movies that do this right. Unfortunately, this doesn't. It's clearly something supernatural that is haunting everybody but beyond some gory and violent scenes (all of which are well done), the movie is just too ambiguous in a very frustrating way.
I was excited to check out Bryan Bertino's latest offering, "The Dark and the WIcked." His debut, "The Strangers," was an instant classic introducing masked home invaders in the most unsettling of ways. His followup, "The Monster," was well-crafted as an estranged mother and daughter get stranded in their car in the woods while being stalked by a monster. It was ultimately disappointing as there was nothing to connect the disparate creepy happenings to the story-line. Many movies try to tease the viewer with unreliable narrators, leaving them to ponder whether what is happening is supernatural or all in the characters head. "The Babadook," "Black Swan," and "The Lighthouse" are examples of movies that do this right. Unfortunately, this doesn't. It's clearly something supernatural haunting everybody, but beyond some disturbing and/or violent scenes (all of which are well done), the movie is just too ambiguous in a very frustrating way.
The scariest new film that I've seen in 2020, 'The Dark and the Wicked' is well-crafted, moodily evocative, and best watched through one's fingers. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-the-dark-and-the-wicked-2020s-scariest-film
> _loved this one_ let's start with the poster. I expected some red vibes like from "_evil dead_" something. but turns out, it's showed a _dark sepia tone_ which works. it's been a while since I was gasped and terrified for a horror movie. the sound and music are effective. I mean, this horror built by this sound. not like a creepy orchestra, but a chaotic chromatic sound. _beautiful and terrifying._ my interpretation is we should learn to let go of our loved ones. when the priest said: > "the devil is already here" yes, it's there because you still cling to your loved ones. to let go is not to deny but to accept. to let go is to fear less and love more. I'm sorry if you find this overanalyze.
The film is all about madness at best. Main characters lose their mind and we watch their hallucinations. All the religious references in the film leads to nowhere. The film has a few good jump scares and quite a good beginning which makes you think the rest of the film is going to get somewhere. Unfortunately it doesn’t. **I wouldn’t watch it again, nor would I make my friends watch it**.
Brother and sister Enrique and Rosa flee persecution at home in Guatemala and journey north, through Mexico and on to the United States, with the dream of starting a new life.
After the tragic deaths of her husband and daughter, Sarah Doyle moves back to her childhood home with her estranged brother, Richard. It's not long before Sarah begins to experience supernatural phenomena of a violent and hostile nature.
Trapped on Mount Madyopuro because they violated a myth, Bagas, Lenni, Dicky, Juna and Andrew became suspicious of each other that one of them was a ghost.
Shiino one day finds out that her best friend Mariko has committed suicide. After snatching Mariko's urn from her abusive father, Shiino heads to Marigaoka Cape, a place Mariko always wanted to go.
Two guys and a female hitchhiker are terrorized by a monstrous looking man driving a giant monster truck.
Wealthy rancher Bick Benedict and dirt-poor cowboy Jett Rink both woo Leslie Lynnton, a beautiful young woman from Maryland who is new to Texas. She marries Benedict, but she is shocked by the racial bigotry of the White Texans against the local people of Mexican descent. Rink discovers oil on a small plot of land, and while he uses his vast, new wealth to buy all the land surrounding the Benedict ranch, the Benedict's disagreement over prejudice fuels conflict that runs across generations.
An actress’s perception of reality becomes increasingly distorted as she finds herself falling for her co-star in a remake of an unfinished Polish production that was supposedly cursed.
The incredibly spoiled and overprivileged students of Camden College are a backdrop for an unusual love triangle between a drug dealer, a virgin and a bisexual classmate.
In Los Angeles, a colorful assortment of bohemians try to make sense of their intersecting lives. The moody Dark Smith, his bisexual girlfriend, her lesbian lover and their shy gay friend plan on attending the wildest party of the year. But they'll only make it if they can survive the drug trips, suicides, trysts, mutilations and alien abductions that occur as one surreal day unfolds.
Otto and Ana are kids when they meet each other. Their names are palindromes. They meet by chance, people are related by chance. A story of circular lives, with circular names, and a circular place where the day never ends in the midnight sun. There are things that never end, and Love is one of them.
One winter night, Pilar runs away from home. With her, she takes only a few belongings and her son, Juan. Antonio soon sets out to look for her. He says Pilar is his sunshine, and what's more, "She gave him her eyes"...