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Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
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There are two wealthy landowning families and a marriage between “Marit” (Mai Zetterling) and “Mats” (Ulf Palme) to unite them seems likely. She’s an independently minded young woman though and he’s a bit of an oaf so it isn’t a relationship made in heaven, but with her dad “Germund” (Sten Lindgren) keen on the match it all looks like a fait accompli. Meantime, the local liquor loving fiddler “Glabo-Kalle” (Ivar Hallback) is entertaining the village alongside it’s black sheep “Jon” (Alf Kjellin). He is the result of a liaison between a girl that “Germund” once loved and a travelling musician - and so whilst tolerated, he is largely shunned. Guess what? Yep. It’s after a drunken party as she walks home that he has to rescue her from the unwarranted attentions of a group of villagers and that’s the start of an affaire de coeur that challenges attitudes and tests relationships and loyalties as this close knit community comes to terms with it’s own equivalent of devilishness. This film provides quite an exposing social commentary on just how women were loved, certainly, but still traded as commodities and dynasty builders whilst it also shines a light on the prevailing double standards of a Christianity that neither forgives nor forgets. Zetterling is on good form and there is a quite an effectively smouldering chemistry between her and the sort of Bogarde-esque Kjellin. There is a lesson to be learned here for many who incline to visit the sins of the predecessors on their blameless offspring and there is also some stunning photography all centred around a waterfall that was there for centuries before mankind sullied it’s waters, and which will be there for centuries afterwards, too.
A New York City beautician is mistakenly hired as the school teacher for the children of the president of a small Eastern European country.
Set in the 16th century, this is a story about Ukraine's Cossack warriors and their campaign to defend their lands from the advancing Polish armies.
When 12-year-old Ton transfers to an all-boys boarding school, he's taunted by his peers and terrified by their tales about the ghosts that inhabit the school. Ton is utterly miserable until he befriends a mysterious fellow pupil.
Bobby Griffith was his mother's favorite son, the perfect all-American boy growing up under deeply religious influences in Walnut Creek, California. Bobby was also gay. Struggling with a conflict no one knew of, much less understood, Bobby finally came out to his family.
On the hacienda of El Soto lives Doña Raimunda and her daughter Acacia as well. After being widowed, Raimunda married Esteban, who is secretly in love with Acacia and her, in turn, feels a deep rejection of him. Meanwhile, some young are courting Acacia. But the worst comes when Esteban tries to get rid of all the men around Acacia.
Peter Olsen, a young social outcast who lives alone on a rundown farm and raises vegetables for a living, finds his only consolation in liquor, though Dorcas Chatham, daughter of the general store owner, begs him to forego this indulgence. Returning from town, he finds a dog by the roadside, apparently injured by a car, and takes it home. Later, on a drunken spree, Peter is attacked by robbers, but the dog comes to his rescue and frightens the assailants away. Stirred by the unselfish devotion of his dog, Peter gradually regains his self-respect, and Dorcas falls in love with him and accepts his proposal, though she fears the dog. When Peter enters the dog in a show, another exhibitor proves to be its owner, and Peter is first parted from, then reunited with, "his" dog. Dorcas overcomes her fear and is united with Peter.
One of puppet-maker Geppetto's creations comes magically to life. This puppet, Pinocchio, has one major desire and that is to become a real boy someday. In order to accomplish this goal he has to learn to act responsibly. This film shows you the adventures on which he learns valuable lessons.
Manon has blocked the spring that feeds the village, whose inhabitants she hates. They gradually become aware of the evil they have done to her and try to obtain her forgiveness…
Nora is a young housewife and mother, living in a quaint little village with her husband and their two sons. The Swiss countryside is untouched by the major social upheavals the movement of 1968 has brought about. Nora’s life is not affected either; she is a quiet person who is liked by everybody – until she starts to publicly fight for women’s suffrage, which the men are due to vote on in a ballot on February 7, 1971.
A worried father tries to end the relationship that his son Andries has with the wife of a wrestler.
The film follows Grace, a young woman whose irresponsible mother blows her college fund on her younger sister's beauty pageant campaign.