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Black Girls 2024 - ()
Freelance 2024 - ()
Sebastian 2024 - ()
Hounds of War 2024 - ()
A Quiet Place Day One 2024 - ()
Cabrini 2024 - ()
Flight Risk 2025 - ()
Dark Night of the Soul 2024 - ()
Juror #2 2024 - ()
The Fish Thief A Great Lakes Mystery 2025 - ()
Wicked 2024 - ()
In Between Stars and Scars Masters of Cinema 2024 - ()
Loch Ness Monster Captured 2024 - ()
Echoes Of A Hermit Solitude Resilience and the Power Of Writing 2024 - ()
The Pushover 2024 - ()
A Real Pain 2024 - ()
The Tattooist’s Son Journey to Auschwitz 2025 - ()
Tom Green I Got a Mule 2025 - ()
Monster on a Plane 2024 - ()
The Fire Inside 2024 - ()
**An ordinary cop, enjoying his single life, gets into a real cop business!** I won't say it is an overrated film, but it simply did not work for me. The same director who had made 'Calvary' directed this one as well with Brendon Gleeson in the lead, but that was an earlier project to this one. I loved that film, not this one, though I consider it an average, because I did not find it bad. The theme was very familiar, and too much wasted scenes with the slow narration spoiled my mood. There's no clear perspective of the storytelling, just it concentrated on a small town cop and his single life, and rarely he fights the crime. When an FBI agent comes looking for some international drug dealers, a cop in a small Irish town braced to assist the American officer. Though he never cared to involve in it. He follows his usual lifestyle, enjoying every moment of his life. After a woman comes asking to find his cop husband gone missing, he now gets into the action. How serious he makes progress in the case and its result is the rest of the film to disclose. It's not as funny as I anticipated. But watchable film for its quality narration. The actors were just okay. The characters were really weak, particularly the villains. They occasionally appear and gone for forever, and then there comes the final battle. Did not sync well between them and the cop, especially what they were fighting for, other than they are. Especially the FBI agent played by Don Cheadle casting was worthless. For a fine theme like this, the plot should have developed with at least a couple of twists and maybe a grand action sequence. It does not matter though, at least engaging plot needed, but failed on that part. Sorry to say that I'm not in favour of it to suggest it to anybody, though you might it better than me. _5/10_
I couldn't help but wonder just how much acting Brendan Gleeson was actually doing here! He really does look like he's enjoying himself as the irreverent Garda officer "Boyle" whose sleepy Irish community finds itself embroiled in an FBI investigation led by "Everett" (Don Cheadle) into a smuggling racket that could involve $500m worth of cocaine. It's fair to say that "Boyle" does things very much his own way, doesn't really care about any hierarchies and the arrival of his by-the-book American counterpart is just a pain in the neck. Quite quickly, we are on the trail of the gang and though their developing relationship does take a fairly predictable path, their dialogue is peppered with some pithy and sarcastic humour and the detective work shows up, quite cleverly, the differences and effectiveness of their methods of policing. All along we know who there baddies are, and Mark Strong and Liam Cunningham deliver quite well as they assume that the local yokel will prove no trouble to their nefarious industry. The end is a little disappointing, but generally the whole thing moves along quickly and entertainingly with their culture clashing personalities well presented by Gleeson and Cheadle avoiding the worst excesses of stereotyping.
A Japanese cop, Shiro, and his partner Ray are after a bunch of drug dealers. But they are betrayed by an insider and Ray is killed. Shiro follows the murderer, a sadistic drug lord, up to Argentina
A cop, his partner, and his father uncover a plot by city elders to smuggle drugs from Mexico into Phoenix, Arizona.
The story of an idealist's rise to power in the world of Louisiana politics and the corruption that leads to his ultimate downfall. Based on the 1946 Pulitzer Prize-winning novel written by Robert Penn Warren, loosely based on the story of real-life politician Huey Long.
Michael Collins plays a crucial role in the establishment of the Irish Free State in the 1920s, but becomes vilified by those hoping to create a completely independent Irish republic.
TV writer Elliott Nash buries a blackmailer under the new gazebo in his suburban backyard. But the nervous man can't let the body rest there.
Molly Stewart, a teen at the top of her class who survives by working nights as a prostitute on Hollywood Blvd, finds her world beginning to fall apart when a depraved, necrophiliac serial killer begins targeting LA’s streetwalkers.
Private eye Philip Marlowe investigates a case of blackmail involving the two wild daughters of a rich general, a pornographer and a gangster.
In the 1970s, a young transgender woman called “Kitten” leaves her small Irish town for London in search of love, acceptance, and her long-lost mother.
At Bertrand Morane's burial there are many of the women that the 40-year-old engineer loved. In flashback Bertrand's life and love affairs are told by himself while writing an autobiographical novel.
Jean-Baptiste Grenouille, born in the stench of 18th century Paris, develops a superior olfactory sense, which he uses to create the world's finest perfumes. However, his work takes a dark turn as he tries to preserve scents in the search for the ultimate perfume.