Mosley: It's Complicated

Some of the best moments from televised darts 1983 - 1987.

Urban free climbers are a new breed of daredevils, young men and women who illegally climb cranes and buildings without any safety equipment, then hang from them, hundreds of metres above the ground, one slip from certain death... Free climbing originated in Eastern Europe, but has recently spread to Britain. James Kingston is a 23-year-old who lives with his mother near Southampton. In his spare time James scales the local 100m cranes and 200m radio towers. Now James embarks on a journey to the spiritual home of urban free climbing, Ukraine, where he teams up with the infamous Mustang Wanted, the craziest climber of them all. As Mustang and James explore Kiev, the pair push themselves to new extremes, climbing derelict buildings and tightrope-walking hundreds of metres above the city, before finally heading to the iconic Moscow bridge to attempt Mustang's latest death defying stunt. Don't Look Down is fascinating, revealing and nerve-wracking.

Director James Toback takes an unflinching, uncompromising look at the life of Mike Tyson-almost solely from the perspective of the man himself. TYSON alternates between the controversial boxer addressing the camera and shots of the champion's fights to create an arresting picture of the man.

The inspiring account on international bodyboarding star Luz 'Loly' Grande - a young woman on a personal mission to make bodyboarding a means to improve the lives of disadvantaged children in Puerto Rico, Argentina, Brazil, and Peru.

An account of the life and work of legendary Japanese actor Toshirō Mifune (1920-97), the most prominent actor of the Golden Age of Japanese cinema.

An comprehensive look at the life and music of Mark Linkous, a influential figure in the alternative music scene. Critically-acclaimed Linkous had a dramatic life that saw him battle with drug and alcohol addiction, paralysis, and debilitating depression that resulted in his eventual suicide. Mark's music was heralded by his peers and critics; a mix of delicate pop, discordant punk and melodic odyssey; it has been described as defiantly surrealist with all manner of references to smiling babies, organ music, birds, and celestial bodies. The film mines Marks life and music and navigates the sacrifices and highs and lows of his art.

Introducing his never before seen 'leaping one-hander' to the masses on a national level, Kenny Sailors quickly grew to be a fan favorite while leading his Wyoming Cowboys to the Collegiate National Championship in Madison Square Garden in 1943. But after playing on several losing teams in an unstable, emerging league now known as the NBA, Kenny disappeared into the Alaskan wilderness only to be forgotten by the sport he helped pioneer. Now, nearly sixty years later, the multitude of people he has touched along the way have forced Kenny’s humble reemergence.

In the world of motorsports, the Indianapolis 500 has long been considered the only race. In May 1977, Janet Guthrie — the first woman to attempt Indy — earned herself a spot in the prestigious field of 33. A year later, overcoming impossible odds, Guthrie cobbled together her own team for a stunning success. Yet just when her career should have rocketed forward, it suddenly, inexplicably stalled.

The story of lyrical genius, Martin Phillipps and his band, The Chills, is a cautionary tale, a triumph over tragedy, and a statement about the meaning of music in our lives.

A documentary on Argentinean soccer star Diego Maradona, regarded by many as the world's greatest modern player.

This film is dedicated to Maria Lai, an artist born in 1919 in Ulassai, Sardinia. Surrounded and inspired by the ogliastra countryside, the cyclopic guardian of plots and landslides, Maria Lai uses inert materials like stone, concrete, asphalt, metal and wood to work old and new legends into librettos of individual works, installations and interventions, thus becoming part of the landscape that calls to her. In making this film the authors have confided in the artist’s role as a spokeperson, and it is as if one is listening to the voice of a wild olive tree - both millenary and contemporary - a voice that knows what to say (and can say whatever it wants) from beyond the boundaries of reality, history, nature and art. As that tree, the artist - confident of her roots - with a sound sense of rhythm and scansion, multiplies big and small stories, just as she did with the bread and fish in Santa Barbara di Ulassai along the way to the country church.