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The Beat with Ari Melber - (Mar 1st)
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Britains Got Talent - (Mar 1st)
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One Killer Question - (Mar 1st)
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The Last Word with Lawrence ODonnell - (Mar 1st)
Thérèse is no Tease. Thérèse Raquin (AKA: The Adultress) is directed by Marcel Carné and Carné co-adapts the screenplay with Charles Spaak from the Émile Zola novel. It stars Simone Signoret, Raf Vallone, Jacques Duby, Maria Pia Casilio and Roland Lesaffre. Music is by Maurice Thiriet and cinematography by Roger Hubert. Carné reworks Zola's novel to be set in post-war Lyon and slips into a film noir gear. Plot essentially finds Signoret as Raquin, a severely repressed woman stuck in a marriage to her wimpy weasel of a cousin, not only that but she also has to share a home with his domineering mother. Then one day the strapping Laurent LeClaire (Vallone) enters her life, sparking a fiery affair, but as plans for the future are plotted, a turn of events drastically changes everything. The characterisations are strongly performed, the five principals (Lesaffre arrives late in the play as a key character) giving performances that really draw you into their respective worlds, for better or worse as regards the human condition. Carné skillfully blends the beautiful side of Lyon, such as the quaint cobbled streets and the River Rhone, with a dull bleakness that fogs Thérèse, a woman who has forgotten how to smile, sexual fulfilment a non entity. Hubert also brings his photographic skills to the show, providing some blisteringly gorgeous night shots that offer hope for the new found lovers. But there is a sign post up ahead and it says that the next stop is noirville, and after having spent half the film building his characters, Carné dashes hope and replaces it with misery. Fate plays a big part in the crux aspects of the film, a film noir staple of course, right up to the clinical finale that comes with a thunderous fait accompli. It's a bit draggy in parts as the director is at pains to show the humdrum side of life, but the change of gear at the mid-point - and the brilliant last quarter, make this a worthy addition for collectors of Frenchie noir. 8/10
A musician is offered a job in Vienna as stage director, but his disagreements with the aristocratic opera manager end in abrupt firing in spite of a mutual attraction. He's quickly engaged by another theatre and becomes famous for his lavish stage productions and fine acting, which begins their golden age with Suppé and Strauss.
Follows the Bulgarian people's struggle for national independence in the period from 1875 to the Liberation from Otoman bondage.
As the title "The Queen's Heart" suggests, this early German black and white version of Mary Queen of Scott's eventful reign and death focuses on her emotional perception rather lyrically, with some songs, mainly by her.
At the end of the 18th century, the wealthy French scholar Saussure comes to a small Alpine village and offers 1,000 pieces of gold to anyone who can lead him to the summit of Mont Blanc. The young farmer's son Jacques Balmat wants to take on the dangerous task, even though his father has told him from an early age about the mighty mountain spirits who guard a legendary treasure of gold on the mountain peak.
Dr. Peter Blood, unjustly convicted of treason and exiled from England, becomes a notorious pirate.
The young Schiller, whose heart and soul are writing and poetry, is forced into the military academy (the pride and joy of the Duke of Württemberg). Schiller is disgusted by the everyday routine of the military, always back and forth between breeding and drills. Conversation, conflict or even critique are discouraged – the oppression insufferable for the young rebel. Disgusted by the brutality, he writes his drama "The Bandit", which he would later publish anonymously. But following a frank conversation with the Duke, Schiller is dishonored and must leave the land.
A band of gangsters devise a plan to steal a game contested between two drug gangs of drug traffickers: the five fraudsters will face bigger problems than them.
When his young son is killed in a hit and run accident, Charles Thenier resolves to hunt down and murder the killer. By chance, Thenier makes the acquaintance of an actress, Helène Lanson, who was in the car at the time of the accident. He then meets Helène’s brother-in-law, Paul Decourt, a truly horrible individual.
Tom Ripley is a talented mimic, moocher, forger and all-around criminal improviser; but there's more to Tom Ripley than even he can guess.
This is a romantic story about a brave, self-made girl, despised daughter of a shepherd. She is not afraid of anything - neither night nor swimming. But the superstitious villagers are telling weird stories about her and about all sorts of strange things, even her conjunction with the powers of hell.