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Jacqueline Byers is "Sister Ann" - a troubled young nun whose relationship with her late, clinically diagnosed schizophrenic, mother has left her determined to take holy orders and to help other people with mental health disorders. She has a nursing position at a church hospital where the Catholic church - under the leadership "Fr. Quinn" (Colin Salmon) and psychiatrist "Dr. Peters" (Virginia Madsen) use scientific and ecclesiastic methods to treat their patients. The former leads their exorcism training regime and it to that that the nun is drawn. Her skills are initially tested when she has to try and deal with the apparent possession of the young "Natalie" (Posy Taylor) but that operation merely serves to open up an entire wardrobe of demons - including some very close to home for "Ann". Actually, the story here is not half bad - but the acting and the whole presentation of the film is seriously lacklustre. Sure, there are a few quite effective jump moments but as the story gathers pace it loses any semblance of plausibility. The writing clumsily muddles scripture and vernacular and the ending is really old hat. It has the ring of an over-stretched short story to it. It might almost have made for a decent "Tales of the Unexpected" forty-five minute television drama rather than dragging it out with loads of establishing shots of the rather nice building she works in and rain, lots and lots of rain! Saw it tonight in 100-seat cinema all by myself - I can't say I am surprised - this is really all rather poor.
Jacqueline Byers is "Sister Ann" - a troubled young nun whose relationship with her late, clinically diagnosed schizophrenic, mother has left her determined to take holy orders and to help other people with mental health disorders. She has a nursing position at a church hospital where the Catholic church - under the leadership "Fr. Quinn" (Colin Salmon) and psychiatrist "Dr. Peters" (Virginia Madsen) use scientific and ecclesiastic methods to treat their patients. The former leads their exorcism training regime and it to that that the nun is drawn. Her skills are initially tested when she has to try and deal with the apparent possession of the young "Natalie" (Posy Taylor) but that operation merely serves to open up an entire wardrobe of demons - including some very close to home for "Ann". Actually, the story here is not half bad - but the acting and the whole presentation of the film is seriously lacklustre. Sure, there are a few quite effective jump moments but as the story gathers pace it loses any semblance of plausibility. The writing clumsily muddles scripture and vernacular and the ending is really old hat. It has the ring of an over-stretched short story to it. It might almost have made for a decent "Tales of the Unexpected" forty-five minute television drama rather than dragging it out with loads of establishing shots of the rather nice building she works in and rain, lots and lots of rain! Saw it tonight in a 100-seat cinema all by myself - I can't say I am surprised - this is really all rather poor.
To begin with this, I just want to ask this question, "how can anyone take this movie too serisouly?" After learning from a friend of mine that the exorcsim/demon possesion in real life isn't like that in real life at all, it is just a very dramtic effect that the westerns put to it. So after learning about that, I can't take this movie all too seriously. And if this movie said it was based on a true story, I would have my doubts about it. But it still doesn't make it not that scary!
Pretty standard and forgettable possession-horror film, a genre I generally don't care for to begin with. There's not much here to distinguish from others from the dark lighting, okay make-up effects and average performances, though Jacqueline Byers was fine. This isn't something I'd ever revisit. **2.75/5**
In 1947, those aspiring to be priest are sent to a remote convent to live in seclusion on the last day of their training. The purpose is to shield them from evil of the world. The plot thickens when a mysterious young girl comes to the convent but the question is whether she is really sent by God or by the Evil.
When a charming 12-year-old girl takes on the characteristics and voices of others, doctors say there is nothing they can do. As people begin to die, the girl's mother realizes her daughter has been possessed by the Devil. Her daughter's only possible hope lies with two priests and the ancient rite of demonic exorcism.
For centuries, a secret Order of priests has existed within the Church. A renegade priest, Father Alex Bernier, is sent to Rome to investigate the mysterious death of one of the Order's most revered members. Following a series of strangely similar killings, Bernier launches an investigation that forces him to confront unimaginable evil.
After the ordeal with Samara, Rachel and Aiden move to a rural town. But soon Rachel learns about the death of a girl in a similar fashion. To save Aiden, she must dig into Samara's past even further.
Following a failed suicide attempt, Sarah watches herself leave her body and become an empty vessel for anything to crawl into. When she re-enters her body she learns that she isn't alone.
A young girl is forced by her father to become a nun. But soon she finds out that dark secrets are hiding behind the convent walls and that she's there to serve lustful human masters and not God.
Alice finds the deadly dreams of Freddy Krueger starting once again. This time, the taunting murderer is striking through the sleeping mind of her unborn child.
After stuttering while ordering his favorite drink while on a bad date, Trevor gets more than he asked for.
The Fucker, a phantasmagorical death machine, materializes from a haunted VHS tape of Evil Dead II to wreak havoc on unsuspecting parents, teens, and babies.
A re-edited version of Mario Bava's "Lisa and the Devil" for the U.S. market, including newly filmed scenes involving a possessed Lisa.