Emmanuelle 2024 - Movies (Feb 12th)
The Simpsons The Past and the Furious 2025 - Movies (Feb 12th)
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Unnatural 2024 - Movies (Feb 12th)
Sebastian 2024 - Movies (Oct 2nd)
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The One Show - (Feb 13th)
Kirstie And Phils Love It Or List It - (Feb 13th)
All Elite Wrestling- Dynamite - (Feb 13th)
The Beat with Ari Melber - (Feb 13th)
The ReidOut with Joy Reid - (Feb 13th)
Jen and Chris - (Feb 13th)
Celebrity Help My House Is Haunted - (Feb 13th)
Expedition X - (Feb 13th)
Roadworthy Rescues - (Feb 13th)
Murder by the Sea - (Feb 13th)
Lets Make a Deal - (Feb 13th)
The Price Is Right - (Feb 13th)
My 600-lb Life - (Feb 13th)
Abbott Elementary - (Feb 13th)
Shifting Gears - (Feb 13th)
Jesse Watters Primetime - (Feb 12th)
Hannity - (Feb 12th)
Deadline- White House - (Feb 12th)
Love Island- All Stars - (Feb 12th)
Match of the Day - (Feb 12th)
After the passing of her mother, Lorena finds the diary that she kept all her life. The entries allow her to discover a different woman. Having grown up in the worship of her father who fought as a partisan during the war, Lorena realises that she must start digging in the secret story of her mother if she wants to understand aspects of her own life. The pages of the diary feel like a book from another time. Working as a nurse, her mother was covertly working for the partisans passing them intelligence that she astutely acquired from wounded German soldiers by administering more morphine than usually required to ease the pain.
Examines the life, work, and cultural significance of Gloria Anzaldúa, poet and visual artist, and those she inspired in women's Chicano art. The work highlights the struggle for women's and gay rights.
The hairdressing salon “Saïda” is a space where people speak openly, laugh and argue. The subject rarely is hair. In the run-up to the presidential elections in Tunisia the shop turns into a political arena where the women – young or old, conservative or with a modern outlook – indulge in discussions about the pros and cons of the candidates. Their clever and witty statements reflect a young democracy with all its rifts and fault lines.
The compelling story of an extraordinary woman's journey from her birth in a paper thin shack in the cotton fields of Georgia to her recognition as a key writer of the twentieth Century.Walker made history as the first black woman to win a Pulitzer Prize for her groundbreaking novel, The Color Purple.
For years, together with his partners from the production company O Quadro, he has been betting on cinema as a tool to explore the typical issues of youth. In this film, Evandro Scorsin turns the cameras on himself as he deals with the dilemmas of the passing of time and the imposition of adulthood. In an exercise in autofiction where cinema and life merge, the film is also a cinematic love letter to the beloved masters (especially Nicholas Ray). Coming and going between two countries and times, it records the vertigo of displacement and the reinventions inherent to an immigrant experience.
How do feminist and queer identities operate in contemporary Belfast? Let Us Be Seen is a documentary film that presents the work and ideas of individuals on the ground in Belfast, who have campaigned tirelessly for change and continue to do so. On 21st October 2019, abortion was decriminalised and same-sex marriage legalised in Northern Ireland. This important law change however has shed light on more nuanced barriers facing people locally.
An intimate study of one of the most influential and provocative thinkers of the 20th century tracking feminist icon Susan Sontag’s seminal, life-changing moments through archival materials, accounts from friends, family, colleagues, and lovers, as well as her own words, as read by Patricia Clarkson.
An unconventional portrait of painter Frida Kahlo and photographer Tina Modotti. Simple in style but complex in its analysis, it explores the divergent themes and styles of two contemporary and radical women artists working in the upheaval of the aftermath of the Mexican Revolution.
From the personal to the political, the experiences of diverse women speak of how masculinized and violent the streets still are nowadays. In three insightful conversations with female friends, collaborators and high school students, the director looks for a discourse about fear that is not fearsome, a discourse on violence that is not violent. Direct cinema, horizontal process, self-criticism and narrative breaks. Mostly, this is a tale of universal sorority.