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Quiet 10-year-old Zsofi has just changed schools. Feeling out of place at first, she is quickly admitted to the school’s famous choir and befriends her popular classmate Liza. Soon, they have to stand up united against their choir master, who isn’t quite the friendly and inspirational teacher they first thought she was.
In a chaotic 19th-century Paris teeming with aristocrats, thieves, psychics, and courtesans, theater mime Baptiste is in love with the mysterious actress Garance. But Garance, in turn, is loved by three other men: pretentious actor Frederick, conniving thief Lacenaire, and Count Edouard of Montray.
A passionate mime practices her daily rituals and performs for people, as well as being reminded of her insecurities.
Stage mime Antoine Moreau is compelled by the Gestapo to put on a performance for the children of Terezin, a "model" concentration camp, to convince the Red Cross observers that the camp is truly what it seems. Reluctant at first, Moreau slowly learns the true nature of the camp, including the meaning of the "transports" on which people leave. With a world-class orchestra (made up of people interned in the camp) and a cast of children, Moreau stages a show to end all shows.
Three beautiful creatures bathe in our eyes. Behind three windows, so many women; owners of the places, as free inside themselves as in their antics. Exhibition? No! Exposure. Besides, who's watching? And who is watched? The bodies traversed by so many mental territories, FEMALE SPECIALTIES magnifies this "Second Sex" to flush out the random, the somatic, the elusive. ... not there to be understood but to be touched! ... and hated who thinks badly!
Tormented by a mysterious figure named Belmiro, a young woman goes up on a stage to deliver a monologue about her past and fight against herself.
A satirical dramedy loosely inspired by the infamous UK Miners' strikes; however this time, the fight isn’t in the pits, but on the stage. With his beloved family trade targeted by a right-wing government with a long-standing hatred for the arts, a Mime performer desperately rallies the troops for a silent revolution, vowing to save the art form from facing the final curtain.
Melvin, a writer, refuses to acknowledge his old characters at a job interview, prompting these characters to manifest themselves to complain.
Aspiring filmmakers Mel Funn, Marty Eggs and Dom Bell go to a financially troubled studio with an idea for a silent movie. In an effort to make the movie more marketable, they attempt to recruit a number of big name stars to appear, while the studio's creditors attempt to thwart them.
