Lina_Raül Refree - session Eurosonic 2020

Ana Maria loves a modest guitar player, Júlio; when she herself in a 'retiro' (typical fado tavern), public and critics rend major applause. Fame brings about new friends, namely bohemian young who play and sing the fado with her, and not so young men but who rich and powerful enough to patronize her, promote her, and wish to become intimate with her. Júlio the guitarist feel betrayed, and he sets his mind to depart to the African colonies, to leave her forever. Knowing that he's going to embark, Ana Maria's heart between her first love, and the appeal of the rich and famous.

The great fadista, Amelia Rodrigues, made her screen debut in Capas Negras, which took its name from the black capes worn by the students in the university city of Coimbra, where the film is set. The action begins in a tavern where a group of former students are reminiscing about their time at the university. One of the students, Jose Duarte then breaks into song, performing an impromptu fado in the local Coimbra style. The tavern owner's niece, the aptly named Maria Lisboa promptly retaliates with a fado of the Lisbon variety. The melodramatic plot then centers on the frustrated romance between these two characters, and the soundtrack is essentially a musical duel between these two different styles of Portugal's national song.

You already know the legendary singer. For the first time, you'll get to know the woman behind the myth. The story of singing legend Amália Rodrigues who ruled the famous Portuguese acoustic guitar and vocals based music genre called fado.

A portrait of Amália by herself. Her personality, experiences, daring, songs, joys and sorrows and a journey that took her all over the world, are told here through moments when Amália crossed with the history of radio and television and public.

Two of most renowned portuguese musicians, Carlos do Carmo and Bernardo Sassetti, from the jazz, joined together in 2010 for a unique musical production. Carlos do Carmo is a great fado singer, while Bernardo Sassetti is a great jazz piano player. Their joint performance is a unique and fantastic blend of fado and Jazz.

A love letter from an American soul to the city of Lisbon.

A thrilling performance of the greatest modern singer of Fado, Amalia Rodrigues. Taped in 1990, before an excited and savvy audience at New York's Town Hall, the concert captures all the passion, romance, and power of both the Fado tradition and Amalia herself.

A personal, scientific, mystical exploration of Amazonian curanderismo, focus on Ayahuasca and Master Plants, their healing and visionary properties and risks, along with the Shipibo people and their songs.

A small but growing Texas town, filled with strange and musical characters, celebrates its sesquicentennial and converge on a local parade and talent show.

Taken from a two hour and 40 minute sold out show recorded at The State theatre in Minneapolis, WHERE THE WILD THINGS ARE is yet another live showcase of meticulously mapped Steve Vai compositions. Much of the material is new, and tested out in front of an unfamiliar but eager audience, with Vai exercising his chops to the limits.