Alguien Real

In a grand father’s hand made living room, a precious leather arm chair is sitting enthroned. Life passes by in sweetness and tranquility for these two long-time companions, but by suddenly changing decors and owners, our arm chair will realize that objects are not always treated with attention and meticulousness, and gradually it will become unusable. But is this the end of the journey?

Gina's death will force Greta and Gemma, her sisters, to get back together after a long time and to reconsider if sharing blood really means to be family.

A young mexican smuggler and a little girl travel illegally on top of a cargo train, called La Bestia, to get to the USA. An injury transforms his perception of the journey.

Pierre Vignol, an artist wintering in Arizona, is bitten by a snake. He is taken by his friend, Tom Hornby, to Padre Francisco, who prescribes for the bite. Pierre, at the request of Tom, returns to his cabin and Tom takes care of him. Later Tom discovers a tube in Lost River. This proves to be a painting and Pierre takes it to Padre Francisco. The Padre reads him an interesting history of Fr. Bartolomeo. founder of the Mission, and of how the painting came to be discovered in Lost River, for it had been thrown there by a monk when the Mission was attacked by the Indians, owing to the abduction of the Chief's daughter by a villainous Spaniard. Tom takes the painting to New York where he sells it and gives the money to the wife of Tom, who has been too poor to bring her and the baby to Arizona.

Adapted from the Edgar Allen Poe short story called “Bon-Bon”. The film is a dark comedy about a man intoxicated on wine and his own ideas on the meaning of the soul. It is in this state that he is visited by the Devil, and a philosophical discussion about the soul ensues.

A young Haitian boy must decide if joining a gang is the right path for him.

The assistant of a creepy power couple inexplicably finds herself pregnant. Immaculata feels like an unexpected offshoot of Rosemary's Baby, between its half-open doors and a phobia of fluids.

Two men at the bar. They work in banking and have sold preferred securities in an undetermined amount. One of them, the general manager, is being harassed at his home. After several days of harassment, he finally has a revelation.

When ordering food, we often put on a happy face. But when do we take that mask off if ever? Tripp (James Counihan) faces this internal struggle while his partner Jay (Brian Westerley) confronts this dual personality.

The strange case of a man, a photo booth and infinite secrets.