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**_Someone’s slaying wannabe actresses at an isolated manor in the wintry sticks_** A demanding director (John Vernon) rejects his aging muse (Samantha Eggar) for the role of a mad woman in his next film and so has six young lasses vie for a role at his mansion in the snowy woods of the Northeast. The problem is, someone in an old-hag mask is killing ’em off one by one. "Curtains” (1983) is an artistic slasher birthed from a troubled production. Shooting began in November, 1980, with original director Richard Ciupka wanting to make an arthouse thriller, which led to hostilities with producer Peter Simpson, who wanted a conventional slasher since they were in vogue. This caused Ciupka to abandon the project with most of it shot. The film was shelved for over a year with uncredited Simpson taking over; rewrites and reshoots were done (mostly the beginning and end), along with one recasting (the role of Brooke Parsons). You might remember Vernon as Captain Fletcher in “The Outlaw Josey Wales.” He’s commanding here; very convincing as the arrogant director. There’s enough good for those interested, with the skating sequence standing out, but it’s not as effective as the similar “StageFright” (1987), yet it’s not too far off. There are too many dull parts with not enough character development and the directors didn’t take advantage of the feminine resources (not talkin’ ’bout nudity or sleaze), not to mention some scenes are too dark. However, the climax is good and surprising. If you’re going to view it, stay away from the lousy darker prints with washed out colors offered on some streaming channels. There’s a decent restored print currently available on Youtube. The film runs 1 hour, 29 minutes, and, was shot in the greater Toronto area, including Muskoka, Caledon and Forks of the Credit (the gas station scene) with studio stuff done at Commercial Studios in Scarborough. GRADE: B-/C+
After encountering a group of bandits with plans to rape and steal from her, a young widow ventures into the wilderness in search of justice.
Spurred by a white woman's lie, vigilantes destroy a black Florida town and slay inhabitants in 1923.
A repressed artist receives ritual abuse from those who pass him as he paints portraits in the park. Gradually becoming more frustrated, anger builds up within the artist, leading him to embark upon a quest to gain revenge on all those who have humiliated him.
Charlie Daines is a morphine-addicted detective on the trail of a psychopath who is setting up murders and broadcasting them live on the internet. As he closes in on the killer, Charlie realises that he is to be the final victim.
Forty years ago a supernatural force vanquished Brooke and Rhea, a sexy lipstick lesbian couple, after they committed an inconceivable murder. Now, on New Year's Eve, they'll rise from the dead. Still hot and still a couple, they're back as vampires. Enamored with their newfound power, it's no longer a question of whether they will kill again, but of how.
As their big day approaches Cate and Cody should be celebrating, they've got their family with them, they've rented an island for the big day, but unbeknownst to them their wedding falls on the day when a 100 year old curse comes to fruition. Instead of celebrating they find themselves fighting for their lives as a coven of witches rise for revenge.
A Grieving mother suspects that her son's ex-girlfriend may have been involved in his death.
Buzz waits outside the apartment building of his anonymous Grindr hookup, imagining all the depraved ways this night could end. Horrified yet horny, Buzz buzzes the buzzer.
Five hot sexy young big-breasted chicks are raped, abused, tortured, and killed (?) by an evil jive-ass talking doll possessed by the spirit of an executed black militant death row inmate. Who will survive...
