If I Were King

John Reeves, steel magnate, wagers with his son Chester that he can earn twenty dollars a week and live on it. He procures work in the office of William Hart's steel plant. Against her brother's wish, Hart's sister Muriel adopts a little boy. Hart evens up by adopting John Reeves as his father. Reeves foils James Pettison's plot to ruin Hart. Chester also makes good as a workman and wins the affection of Hart's sister. The father reveals his identity and takes Hart as a partner.

The owner of a shipping line arranges to have his waster son shanghaied on one of his vessels commanded by the tough Captain Svenson. But the son discovers in time and gives them the slip. Instead a clerk working for the company Dick Marlow, engaged to his sister Miriam, is taken instead.

Jean, a wealthy young Canadian back from a trip to Europe, meets and falls for Carmen, a pretty young Spanish girl. They marry and have a daughter, but soon afterward Jean discovers his wife is having an affair. She takes her daughter and leaves him, and Jean's luck gets even worse-he loses his business in a fire and his thieving father-in-law steals what little money he has left.

Bank cashier Ramsey Latham is sentenced to prison for violation of the banking laws. On his way to the penitentiary, he encounters Hilary Kenyon, a young girl who speaks encouragingly to him. Later he is surprised to discover that Hilary is also a prisoner, having been found guilty of manslaughter for killing a man who attacked her.

This story of gluttony was the final installment in the seven films based on the Seven Deadly Sins. The censors considered the word to vulgar for use as a title for a film.

The plot concerns a war hero who returns home determined to give up his old ways as a crook. Bud Doyle (Milton Sills) is still being hounded by the cops, and both his wife (Marcia Nanon) and a former associate, a dishonest politician, want to do him in.

Dr. Stannard Wayne - like all "good" men of the times - is a God-fearing soul. He marries the former mistress of his friend, Dr. Arthur Richards, without knowing her past. Richards, an abortionist, resumes his affair with the woman and runs off with her. But before he leaves, he frames Wayne for one of the illegal operations he has done, and the innocent man is sent to prison for five years. When he gets out, Wayne has become angry and cynical.

Gordon Palmer is a lazy and cowardly rich man's son. When he and his fiancée, Aileen Merton, are held up by two crooks, Slug Williams and Beef O'Connell, he passively allows them to take whatever they want. At least he comes to life when they try to steal Aileen's engagement ring - he scares them into giving that back. Aileen, however, is pretty fed up with him.

Mrs. Abbott, an elderly newspaper vendor in dire straits, is taken in by Rupert Dodds, an art dealer, and Dick Foster, his young companion, who see in her transparent honesty an excellent shill for illegal activities in their art shop, where they remold gold and silver articles. Mrs. Abbott grows fond of the young man playing matchmaker for him and Trixie, the bookkeeper. Soon she becomes suspicious of Dodds and Dick’s activities and discovers that they are planning to rob the home of Lady Broderick, a wealthy customer. Attempting to prevent the crime she is arrested, tried and convicted but Dick confesses and clears her of the crime but there are more surprises ahead.

Seduced and abandoned by the caddish Louis La Farge shepherdess Marie Beaupre is cast out of the village and forced to survive in the mountains alone. Driven mad she becomes known as “the witch woman” until hypnotist Dr. Cochefort and his friend Delaunay encounter her while on a hunting trip, take her to Paris, and effectuate a cure at which time she becomes heir to Delaunay's fortune. All seems clear sailing until Marie is introduced to Louis's twin brother Maurice and mistaking him for Louis sets forth on a plan for revenge.

A recently widowed and destitute young mother (Jane Novak) appeals to her wealthy and heartless father-in-law (Robert Edeson) for financial aid. Instead, he convinces her to hand over her new baby to his care so that the child will be brought up with "everything money can buy." Unbeknownst to the grandfather, we learn that there are twin sons and our heroine keeps one baby to raise herself. The narrative jumps ahead to the boy's twenty-first birthday and we see what's become of them. Not surprisingly, the wealthy son has grown up spoiled and greedy while the poor one works hard and loves his mother.