Cyrille, agriculteur, 30 ans, 20 vaches, du lait, du beurre, des dettes

This documentary follows the French soccer team on their way to victory in the 1998 World Cup in France. Stéphane Meunier spent the whole time filming the players, the coach and some other important characters of this victory, giving us a very intimate and nice view of them, as if we were with them.

A documentary that shows the different fauna that populates natural habitats of France, and the people that aims to protect and preserve them.

Household effects and farm implements under the hammer. Here is the auctioneer's cajoling patter, the jostling crowd, pungent observations from one or two old-timers and, over all, the kindly curiosity of folks who gather to see the end of a neighbour's life on the farm.

This short explores the possibility that Louis XVII, son of King Louis XVI and Marie Antoinette, escaped death during the French Revolution and was raised by Indians in America.

HipHop as a language and an outlet for young people: The film follows the youngest class members of a dance academy on their way to becoming professional dancers. Many of the students come from the socially deprived areas of Paris. Accompanied by a pulsating, dancing camera that pulls the audience right into the action, the film negotiates themes such as origins, pains, dreams and hopes.

Shot on the farm of the Director's grandfather, the short film "Remember me?" shows how certain places can be sources of great inspiration and nostalgia.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

"I was visiting Jerome Hill. Jerome loved France, especially Provence. He spent all his summers in Cassis. My window overlooked the sea. I sat in my little room, reading or writing, and looked at the sea. I decided to place my Bolex exactly at the angle of light as what Signac saw from his studio which was just behind where I was staying, and film the view from morning till after sunset, frame by frame. One day of the Cassis port filmed in one shot." -JM