Blue Blood

An elderly rodeo rider, his young grandson and their injured horse help transform the lives of various citizens in a small town. Released in 1946.

Charley Thompson, a teenager living with his single father, gets a summer job working for horse trainer Del Montgomery. Bonding with an aging racehorse named Lean on Pete, Charley is horrified to learn he is bound for slaughter, and so he steals the horse, and the duo embark on an odyssey across the new American frontier.

The mother of a severely traumatized daughter enlists the aid of a unique horse trainer to help the girl's equally injured horse.

Clint Barkley first sees Smoky as a runaway, and drives him back to the ranch where he meets the owner, Julie Richards. He is given a job on her ranch, but the head cowhand is doubtful about Clint and fears that since he refuses to talk about himself, he must have some dreadful secret in his past. Clint and Smoky become close to each other, weathering the hardships of Western life and the suspicions of others together, until one day, Smoky tragically vanishes. Will Clint ever see him again?

Marnie is a thief, a liar, and a cheat. When her new boss, Mark Rutland, catches on to her routine kleptomania, she finds herself being blackmailed.

An all-American story that explores the family dynamic when a prodigal daughter returns home.

While fulfilling her community service hours at a horse rescue ranch, Emma forms an unlikely bond with an abused show horse who won't let anyone ride him.

A lonely boy finds companionship with a horse.

True story of the undersized Depression-era racehorse whose victories lifted not only the spirits of the team behind it but also those of their nation.

After losing her father, a young women must find the strength to face her fears and compete in the race of her life or her family will lose everything.

Babhruvahana, like Arjuna at the beginning of the Kurukshetra war, faces a moral dilemma. Can he risk harming his parents? While Chitarangada alerts Arjuna to shoot an arrow at their son and take advantage of Babhruvahana’s momentary lapse due to a sense of devotion towards them (as Arjuna did with Karna), Uluci, the Naga princess and yet another abandoned wife of Arjuna’s, reminds Babhruvahana of the teaching of the Kurukshetra battle that in the battlefield there is no space for feelings even towards parents. What Babhruvahana must do is to establish his mother’s good name and thereby his own character. This film captures this conflict spectacularly. The eerie parallels with the moral dilemmas of the great Mahabharata battle aside, here all the familial relationships (in particular, strong mothers and dutiful sons) become exaggerated and demand our attention.