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Thomasin McKenzie is quite good as the eponymous, rather timid, prison secretary who lives a rather pedestrian life watching the couples make out in the car-park, or fantasising about a quickie with one of her colleagues, before returning home to her retired cop/dipso father replete with two bottles! The arrival of new psychologist "Rebecca" (Anne Hathaway) injects a little life into her dull routine. This assertive sophisticate takes an interest in "Eileen", they go for a drink - there's even some flirting - before "Rebecca" shares a secret with her new friend that involves a young man in prison accused of the brutal murder of his father, and of just what his mother might know of the crime and it's causes. The first hour is quite intriguing but that sense of anticipation is let down by a last half hour that is really quite undercooked and the denouement, well that is just incomplete - on just about every level. The acting and writing is fine - nothing more, but I left the screening thinking that something was missing. What exactly was the point here? It's a good looking film - effort has certainly gone into the aesthetic but I'm not sure I'm really any the wiser.
Rarely have I seen a film as implausible, unfocused and meandering as this second feature outing from director William Oldroyd. After an impressive debut with “Lady Macbeth” (2016), the filmmaker has stumbled seriously in this latest effort, a supposed psychological mystery/thriller that never finds traction and yet somehow manages to go wildly off the rails in the final act. This cinematic misfire examines the relationship that develops between two women who work at a young men’s prison in 1960s small town Massachusetts. Eileen (Thomasin McKenzie) is a reserved, awkward, often-bullied, sexually repressed administrative assistant, and Rebecca (Anne Hathaway) is the facility’s newly hired, sophisticated, worldly, Harvard-educated psychologist. They quickly strike up a close yet somewhat unlikely bond with less-than-subtle (but apparently never-consummated) sexual overtones, a story thread that seems to be heading somewhere but never does. In large part that’s because the protagonists end up becoming involved in a hare-brained scheme worthy of Lucy and Ethel, only with significant implications, a scenario that comes out of left field and sends the narrative into serious, unexplained head-scratching territory. While the picture features a fine production design, a palette of creative cinematography, and capable Independent Spirit Award-nominated supporting performances by Hathaway and Marin Ireland, there’s not much else here that’s engaging, riveting or worthwhile, elements essential to a good mystery/thriller offering. Whatever the filmmaker was going for here obviously never comes to fruition, thanks to either its poorly composed script or its mishandled execution (or a combination thereof). Indeed, this is one of those films where virtually the entire project truly would have been better off left on the cutting room floor.
Reclusive gym manager Lou falls hard for Jackie, an ambitious bodybuilder headed through town to Las Vegas in pursuit of her dream. But their love ignites violence, pulling them deep into the web of Lou’s criminal family.
The psychotic son of a film producer becomes obsessed with a beautiful blonde starlet while in Cannes, lures her to his hotel room and strangles her. His mother finds out, but can she keep her mouth shut to protect her son? Meanwhile, the young killer meets another pretty blonde...
Ray Ferrier is a divorced dockworker and less-than-perfect father. Soon after his ex-wife and her new husband drop off his teenage son and young daughter for a rare weekend visit, a strange and powerful lightning storm touches down.
Leonard Shelby is tracking down the man who raped and murdered his wife. The difficulty of locating his wife's killer, however, is compounded by the fact that he suffers from a rare, untreatable form of short-term memory loss. Although he can recall details of life before his accident, Leonard cannot remember what happened fifteen minutes ago, where he's going, or why.
In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their creator for a way to extend their short life spans.
A hard-nosed cop reluctantly teams up with a wise-cracking criminal temporarily paroled to him, in order to track down a killer.
3 best friends go out on the town to enjoy their evening, eventually one of them goes missing, only to find out they were killed. It is now up to the remaining friends to find the killer.
A private investigator helps a former flame solve the murder of her wealthy grandfather, who lived in a sprawling estate surrounded by his idiosyncratic family.
The film follows a laid-back private investigator Kyd Thomas who gets thrust into Hollywood's world of crime after he meets Laura Cassidy. Laura is a cocaine addict who Kyd saves from being beaten and raped.
A psychiatrist faces his past, present and future when he finds himself involved in the treatment of a young man recently released from prison for a murder committed when the boy was just 11 years old.
Oscar, a young boy, commits a noble murder and is forced to runaway from his rural hometown, leaving behind his best friend, Loux. He escapes to the nearest city, where he is inducted into a gang of child street thieves. His innocence slips away as he is introduced to love, murder, and corruption. 15 years later, he has forgotten his past and become the leader of this band of lost children. When Loux moves to the city in search of work, she takes a job with a struggling private investigator. Stumbling upon Oscar's missing child report, she takes it upon herself to find the boy who saved her life.