Captain America Brave New World 2025 - Movies (Mar 7th)
Confessions of a Romance Narrator 2025 - Movies (Mar 6th)
Woods of Ash 2025 - Movies (Mar 6th)
Agents 2024 - Movies (Mar 6th)
Barbie and Teresa Recipe for Friendship 2025 - Movies (Mar 6th)
Picture This 2025 - Movies (Mar 6th)
Mozarts Sister 2024 - Movies (Mar 5th)
The Road to Patagonia 2024 - Movies (Mar 5th)
Grunt 2025 - Movies (Mar 5th)
The Unbreakable Boy 2025 - Movies (Mar 4th)
The Gutter 2024 - Movies (Mar 4th)
Smile for the Dead An Examination of Spirit Photography 2025 - Movies (Mar 4th)
The Haunted the Possessed and the Damned 2024 - Movies (Mar 4th)
The Tale of Texas Pool 2024 - Movies (Mar 4th)
Below the Rim 2024 - Movies (Mar 4th)
Aquarius 2024 - Movies (Mar 4th)
Echo 8 2024 - Movies (Mar 4th)
Small Things Like These 2024 - Movies (Mar 4th)
Andrew Schulz LIFE 2025 - Movies (Mar 4th)
Hard Truths 2024 - Movies (Mar 4th)
Heart Eyes 2025 - Movies (Mar 4th)
Georgie and Mandys First Marriage - (Mar 7th)
Severance - (Mar 7th)
Surface - (Mar 7th)
The Pitt - (Mar 7th)
9-1-1 - (Mar 7th)
Happys Place - (Mar 7th)
The Undercover Police Scandal- Love and Lies Exposed - (Mar 7th)
Inside the Tower of London - (Mar 7th)
Tales from the Riverbank - (Mar 7th)
The Beat with Ari Melber - (Mar 7th)
Greys Anatomy - (Mar 7th)
Elsbeth - (Mar 7th)
Ghosts - (Mar 6th)
The Bold and the Beautiful - (Mar 6th)
The Young and the Restless - (Mar 6th)
Deadline- White House - (Mar 6th)
The Apprentice - (Mar 6th)
Katy Tur Reports - (Mar 6th)
Chris Jansing Reports - (Mar 6th)
Clean It, Fix It - (Mar 6th)
This is another one of those movies where you don't get your time back. There is nothing clever about the plot. It just twaddles on aimlessly, leading up to very cheesy murder scenes that look like the product of a high school student's drama submission and sweet FA payoff in the end. Why this got the support of The National Lottery through The Arts Council of Wales is beyond me. It's simply a colossal waste of everyone's money. Then again, if that is your sort of thing, then more power to you. Each to their own and all that. :)
Very, very good! 'Censor' features a great premise and it turns out to be one that is executed excellently. The feel of the film throughout is near perfection, with the tone all right and the 1980s aesthetic seemingly on point. It's paced ideally, with zero moments of drag. Niamh Algar puts in a super performance as lead. I recently watched her also impress in television's 'Deceit' - which was broadcast within a week or so of this production's cinema release, there are actually some (minor) similarities between the two; a set of dark roles for Algar, that's for sure! She's the clear standout, though props to the support cast too. Looking at a few other reviews, it seems to come down to how effective the ending is to you. For me? I think it's a great conclusion.
**A movie completely removed from reality - which is the point** A confusing, convoluted and completely absurd and unrealistic movie. Since this is of course all intentional, I am not entirely sure if that makes the movie better or worse. It's one of those movies that's really hard to rate and almost impossible to compare to any other movie, though it does feel very reminiscent of David Lynch movies. But for those who just feel confused after watching it, let me explain it real fast. Basically the movie is comparing deranged, schizophrenic psychopaths to, well, movies censors :-) Because the schizophrenic psycho killer loses his ability to tell what is real and what's not. Similarly, people engaged in censorship also loose their ability to distinguish reality from fantasy, or at least that's what the movie argues. Because censorship is almost always being justified by saying that without it, whatever is depicted in movies, would become a reality. Of course "normal" people can distinguish between reality and fiction, but schizophrenics can not, so censorship is necessarily to keep the schizophrenics from imitating fiction. But of course by arguing that fiction would become reality, the censors expose themselves as people who seem to have difficulty keeping reality and fiction separate. So then if it was really true that violent movies would make such people violent, then by their own logic, you would have to conclude that such censors themselves would become the most violent monsters ever, as they of course watch the most amount of horribly violent horror movies. But even so, we have never heard of any censor going on a killing spree, except of course in this very movie itself, which would of course itself be categorized as a "video nasty". And that's the point.
MARJORAM is a psychological suspense drama about a mother-daughter relationship in which love and abuse seem go hand in hand. Anna (11) is a smart and talented kid. Mary, her mother, actively supports Anna so that she can get the best out of her talents. However, suddenly Anna starts behaving in strange ways, putting herself in danger. When asked what is happening, Anna claims that she is just fine. Her weird behavior however continues, driving Mary to her limits. Why a child, who seems happy on the surface, is acting so unpredictably? Why a mother, who loves her child so much, is having no clue of what is going on?
Newly arrived to a remote desert town, Catherine and Matthew are tormented by a suspicion when their two teenage children mysteriously vanish.
After narrowly escaping a bizarre accident, a troubled teenager is plagued by visions of a large bunny rabbit that manipulates him to commit a series of crimes.
An exploration of '80s horror movies through the perspective of the actors, directors, producers and SFX craftspeople who made them, and their impact on contemporary cinema.
Within the decadent walls of the Frankenstein mansion, the Baron and his depraved assistant Otto have discovered the means of creating new life. As the Baron's laboratory begins to fill up with stitched body parts, the Baroness dallies with the randy new manservant and soon the decadent, permissive household is consumed by an outrageous, bizarre and hilarious combination of death and dismemberment.
Silvia is a young teacher at an elementary school. One day, her class is interrupted when the students notice her double walking on the other side of the street. Silvia tries to ignore the apparition, but this strange event begins to permeate her daily life and transform her pesonality.
The macho Italian vampire Baisez appears on the set of a low-budget film about vampirism and billiards and seduces the cast and crew.
A mad doctor puts together a new body by using body parts he steals from a mortuary at the hospital where he works.
The highly anticipated follow-up to their critically acclaimed VIDEO NASTIES: MORAL PANIC, CENSORSHIP & VIDEOTAPE documentary, director Jake West and producer Marc Morris continue uncovering the shocking story of home entertainment post the 1984 Video Recordings Act. A time when Britain plunged into a new Dark Age of the most restrictive censorship, where the horror movie became the bloody eviscerated victim of continuing dread created by self-aggrandizing moral guardians. With passionate and entertaining interviews from the people who lived through it and more jaw dropping archive footage, get ready to reflect and rejoice the passing of a landmark era.
Lucille and Joe have moved to Gozo, a tiny island in the Mediterranean Sea, off the coast of Malta. They have a nice car, a steady income, a beautiful farmhouse with breathtaking views and a swimming pool. They seem to have it all. But when a young tourist goes missing on the island, Joe's disquieted conscience begins to get the better of him. As the buried horrors of Lucille and Joe's past resurface, the cracks begin to show in their homespun paradise.
When her shift uncovers the death of a fellow miner under mysterious circumstances, a hard-working miner of a planet mining colony is forced to choose between escape or defying management orders and fight for the safety of her family.