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This is another one of those movies where you don't get your time back. There is nothing clever about the plot. It just twaddles on aimlessly, leading up to very cheesy murder scenes that look like the product of a high school student's drama submission and sweet FA payoff in the end. Why this got the support of The National Lottery through The Arts Council of Wales is beyond me. It's simply a colossal waste of everyone's money. Then again, if that is your sort of thing, then more power to you. Each to their own and all that. :)
Very, very good! 'Censor' features a great premise and it turns out to be one that is executed excellently. The feel of the film throughout is near perfection, with the tone all right and the 1980s aesthetic seemingly on point. It's paced ideally, with zero moments of drag. Niamh Algar puts in a super performance as lead. I recently watched her also impress in television's 'Deceit' - which was broadcast within a week or so of this production's cinema release, there are actually some (minor) similarities between the two; a set of dark roles for Algar, that's for sure! She's the clear standout, though props to the support cast too. Looking at a few other reviews, it seems to come down to how effective the ending is to you. For me? I think it's a great conclusion.
**A movie completely removed from reality - which is the point** A confusing, convoluted and completely absurd and unrealistic movie. Since this is of course all intentional, I am not entirely sure if that makes the movie better or worse. It's one of those movies that's really hard to rate and almost impossible to compare to any other movie, though it does feel very reminiscent of David Lynch movies. But for those who just feel confused after watching it, let me explain it real fast. Basically the movie is comparing deranged, schizophrenic psychopaths to, well, movies censors :-) Because the schizophrenic psycho killer loses his ability to tell what is real and what's not. Similarly, people engaged in censorship also loose their ability to distinguish reality from fantasy, or at least that's what the movie argues. Because censorship is almost always being justified by saying that without it, whatever is depicted in movies, would become a reality. Of course "normal" people can distinguish between reality and fiction, but schizophrenics can not, so censorship is necessarily to keep the schizophrenics from imitating fiction. But of course by arguing that fiction would become reality, the censors expose themselves as people who seem to have difficulty keeping reality and fiction separate. So then if it was really true that violent movies would make such people violent, then by their own logic, you would have to conclude that such censors themselves would become the most violent monsters ever, as they of course watch the most amount of horribly violent horror movies. But even so, we have never heard of any censor going on a killing spree, except of course in this very movie itself, which would of course itself be categorized as a "video nasty". And that's the point.
Elvira goes to summer camp and is scared to death of not making any friends. Mysterious things also start to happen, things that can't be explained… unless you believe in ghosts.
With a heavy haul of 250 kilograms of gold bullion, the grizzled criminal mastermind, Rhino, and his ruthless gang of cutthroats, head to a ramshackle retreat somewhere in the Mediterranean to lay low on a scorching day of July. However, the unexpected and rather unwelcome arrival of the bohemian writer, Bernier, his muse, Luce, along with a pair of no-joke gendarmes further complicates things, as the frail allegiances will soon be put to the test.
The highly anticipated follow-up to their critically acclaimed VIDEO NASTIES: MORAL PANIC, CENSORSHIP & VIDEOTAPE documentary, director Jake West and producer Marc Morris continue uncovering the shocking story of home entertainment post the 1984 Video Recordings Act. A time when Britain plunged into a new Dark Age of the most restrictive censorship, where the horror movie became the bloody eviscerated victim of continuing dread created by self-aggrandizing moral guardians. With passionate and entertaining interviews from the people who lived through it and more jaw dropping archive footage, get ready to reflect and rejoice the passing of a landmark era.
The macho Italian vampire Baisez appears on the set of a low-budget film about vampirism and billiards and seduces the cast and crew.
When an unsuspecting town newcomer is drawn to local blood fiends, the Frog brothers and other unlikely heroes gear up to rescue him.
In the Iranian ghost-town Bad City, a place that reeks of death and loneliness, the townspeople are unaware they are being stalked by a lonesome vampire.
When Narcing brings home his wife Puring to their hometown Mulawin in the 1930s, it sets off a series of events that include parricide, infidelity, betrayal, guilt and redemption.
After being infected in the wake of a violent pandemic and with only 48 hours to live, a father struggles to find a new home for his baby daughter.
A census-taker is sent to investigate why a certain small town has had the same population - 436 residents - for the last 100 years.
A mad doctor puts together a new body by using body parts he steals from a mortuary at the hospital where he works.
Within the decadent walls of the Frankenstein mansion, the Baron and his depraved assistant Otto have discovered the means of creating new life. As the Baron's laboratory begins to fill up with stitched body parts, the Baroness dallies with the randy new manservant and soon the decadent, permissive household is consumed by an outrageous, bizarre and hilarious combination of death and dismemberment.