The Girl with the Fork 2024 - Movies (Jan 29th)
Black Girls 2024 - Movies (Jan 29th)
Freelance 2024 - Movies (Jan 29th)
Flight Risk 2025 - Movies (Jan 28th)
Dark Night of the Soul 2024 - Movies (Jan 28th)
Juror #2 2024 - Movies (Jan 28th)
The Fish Thief A Great Lakes Mystery 2025 - Movies (Jan 28th)
Wicked 2024 - Movies (Jan 28th)
In Between Stars and Scars Masters of Cinema 2024 - Movies (Jan 28th)
Loch Ness Monster Captured 2024 - Movies (Jan 28th)
Echoes Of A Hermit Solitude Resilience and the Power Of Writing 2024 - Movies (Jan 28th)
The Pushover 2024 - Movies (Jan 28th)
A Real Pain 2024 - Movies (Jan 28th)
The Tattooist’s Son Journey to Auschwitz 2025 - Movies (Jan 28th)
Tom Green I Got a Mule 2025 - Movies (Jan 28th)
Monster on a Plane 2024 - Movies (Jan 28th)
The Fire Inside 2024 - Movies (Jan 28th)
Den of Thieves 2 Pantera 2025 - Movies (Jan 28th)
Babygirl 2024 - Movies (Jan 28th)
Moana 2 2024 - Movies (Jan 27th)
Overkill 2024 - Movies (Jan 27th)
The Five - (Jan 30th)
Special Report with Bret Baier - (Jan 30th)
Outnumbered - (Jan 30th)
The Challenge- All Stars - (Jan 30th)
All Elite Wrestling- Dynamite - (Jan 30th)
The Thundermans- Undercover - (Jan 30th)
Expedition Bigfoot - (Jan 30th)
Dark Side of the Cage - (Jan 30th)
NOVA - (Jan 30th)
School Spirits - (Jan 30th)
The Last Word with Lawrence ODonnell - (Jan 30th)
The Real Housewives of Salt Lake City - (Jan 30th)
Chicago Med - (Jan 30th)
Chicago Fire - (Jan 30th)
The Rachel Maddow Show - (Jan 30th)
Guys Grocery Games - (Jan 30th)
Someday at a Place in the Sun - (Jan 30th)
Kirstie And Phils Love It Or List It - (Jan 30th)
The One Show - (Jan 30th)
The ReidOut with Joy Reid - (Jan 30th)
It all started when filmmaker Gillian Wallace Horvat was told that she’d make a good murderer. Intrigued by the comment, she began to study the elements and little details that make a successful serial killer. Out of this research was born “I Blame Society,” a deliciously wicked, low-budget indie feature that blurs the line between documentary and reality. This hybrid of a movie is packed with dark humor and horror components that lend a very strange tone, but there’s a whole lot to appreciate and admire about Horvat’s ambition and creativity. Gillian (Horvat) is a struggling filmmaker who feels as though her friends (Chase Williamson, Keith Poulson) are losing faith in her abilities. Determined to prove them wrong, she decides to finish her film and documents what constitutes the “perfect” murder. While in the process of filming, Gillian becomes a little too engrossed in the idea of killing. She unleashes a malevolent side of her personality that causes her moral compass to collapse. The film’s tone shifts as our antihero begins to lose control. What started as a documentary evolves into something a bit more cinematic, with a fictional story line that feels real because it was set up that way. Gillian first targets people whom she feels “deserve it,” but she eventually goes on a random, bloody killing spree that’s disturbing on multiple levels. It’s just so easy to get away with murder. You have to admire Horvat’s determination to make a movie that doesn’t compromise her unique voice, and she directs, co-writes, and stars in the film that she wanted to assemble. In one scene, Gillian stands up for her right to make a film of her own and not resign herself to getting stuck in line, waiting for a man’s permission. It’s empowering to see a woman who chooses to fully explore her own voice rather than meet the boxed-in expectations of the suits in charge (as embodied by Producer 1 and Producer 2, two Hollywood types who hit every single buzzword related to diversity and “strong female leads”). The film does hit on a few Hollywood insider jokes and jabs, but not in an inaccessible sort of way. I do feel “I Blame Society” is geared towards a very specific audience, but fans of the macabre will be partial to this inventive, disturbing movie.
In this biting satire of the film industry, an undiscovered actor will do anything to become the next 'Asian leading man' - other than go to therapy.
A group of five American friends on the cusp of adulthood travel to Panama to relax and reconnect. They befriend a local woman in their hotel bar—and despite some ominous whispers—she goes against the specific instructions of her brother and brings the Americans on a daytrip into the pristine falls at the nearby jungle. What begins as an innocent outing to a picturesque waterfall quickly turns terrifying after she suddenly goes missing. As night closes in, the friends realize too late the truth behind the rumors—the legendary, blood-sucking Chupacabra is now stalking them.
The sick old uncle wants to leave his inheritance to Girgir Ali, but Ali refuses. Meanwhile, an old friend accused of murder asks for help from Ali.
Philomena Cunk is on a festive mission to track down the true meaning of Christmas, and find out exactly what it wants. It's an insightful documentary which takes her on a journey from pagan winter festivals and the nativity story, via 'Sir Charles Dickings', all the way up to today's obsession with Santa. Along the way Philomena will be grilling a variety of experts, trying to expose the truth about Christmas, such as why people still put up with 'brussels sprouts'.
Trainees in the FBI's psychological profiling program must put their training into practice when they discover a killer in their midst. Based very loosely on Agatha Christie's And Then There Were None.
Kidz in da Hood is the gripping and warm story of Amina, who came to Sweden with her grandfather three years ago. Amina has not yet received her residency permit and when her grandfather dies everything seems to fall apart. She temporarily hides out with pierced and tattooed rocker Johan, who lives in a worn-down suburb. The wild girl Mirre lives on the same floor as Amina and together they begin fighting for Amina to stay in Sweden and live with Johan.
Madan Mohan Khullar, a lover of old Hindi films and music, has decided to start his life afresh. However, to begin a new day, one has to pass through a long night, and so must he.
A movie for the Sci Fi Channel based on the book series by Philip José Farmer. The location is Riverworld, a mysterious and treacherous land where every human who died between the years 99,000 BC and 2,200 AD has been resurrected on the banks of a huge river.
Detective Cho, a cop on the edge, is mourning his mother's recent death while under investigation for graft; on top of that he is suddenly put in charge of a seemingly-impenetrable mystery.
Aspiring director Corky St. Clair and the marginally talented amateur cast of his hokey small-town musical production go overboard when they learn that Broadway theater agent Mort Guffman will be in attendance.