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Documentary - HD. Hidden cameras capture prostitutes working the streets of the neon-soaked gambling mecca of Atlantic City.
From the sultry streets of Hunts Point in the South Bronx, comes the rawest, realest and truest documentation of the world's oldest profession ever captured on video. From Brent Owens, the director of Pimps Up, Ho's Down, comes the first two in a series of five films. Hookers At The Point focuses on the business of sex and the people involved in it. As a special bonus we have included Hookers At The Point: Going Out Again, where we follow up on the personalities from the first film and see where "The Life" has led them.
At his bachelor party, Jason has a one-night fling with Nikki, a radiant beauty with whom he forms an immediate bond. They agree to keep their secret locked away forever. Two years later, Jason, his wife, Andy and his fiancee plan a reunion weekend. Jason is shocked to discover that Andy's fiancee is Nikki. Now, secret and passionate affairs are played out.
Adolf Schwartz has been killed. Who did it? No-one knows or cares, as they're too busy being distracted by busty Margo Winchester, who hitch-hikes into town and gets involved with all the local men.
Maria spends her daytime sewing and cleaning, while at night she works as a prostitute in Oporto's streets. Years ago her path crossed with José, a married man who became her most faithful client but who couldn't help her to escape the hard life. Today this old prostitute continues showing off her body through the long city's nights, though the clients are almost gone. José is still there, but he failed at what she desired the most: a son. In a very intimate and raw portray of a woman, MARIA disclosures how love and getting older can feels like.
Frank and Lindsay—two emotionally-broken strangers—meet on the way to a destination wedding. Over the course of the weekend and against all odds, they find themselves drawn together even though they are initially repulsed by one another.
When Danielle decides to do a story on the life of a sex worker to please her boss and lover Peter, she meets Gage a professional gigolo. She quickly becomes interested in his work and starts to see a change in herself and her life.
Will and Cath, a young couple in their twenties without a story, are looking for an intimate place to park their car and love each other. Sitting in the passenger seat, Cath becomes more and more exhilarated as the car slips into the dark as Will, behind the wheel, apprehends every nook and cranny the headlights reveal. Deep in the forest, their intimacy will be the scene of a destabilizing encounter between sensuality and horror...
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
