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Ted K’s unforgivable sin is that it is too much like its subject, and both are in dire need of a moral compass. The movie presents Ted Kaczynski as a deranged, sexually frustrated, hygienically challenged, cabin-fevered, you-kids-get-off-my-lawn humorless crazy old coot type – so one can’t very well say that co-writer/director Tony Stone (as far as I can tell not related to Oliver, though judging from this film he clearly wishes he were) is glamorizing him; this is by no means the kind of person in whose company you’d want to spend any more time than necessary, even if he weren’t a homicidal maniac. And yet, Stone devotes two hours (this is as bloated and masturbatory an exercise as the “25,000 pages” of lunatic ravings on which it is based) to following this creep around. We see him seethe, sulk, and rant against women and technology, we watch him scheme and plot, in short, we witness him at work – and while Roger Ebert once correctly noted that “Actual work is more interesting than most plots”, he meant honest work, of which Kaczynski, Ph.D. and all, can’t even manage the simplest of manual labors. Two hours of this with no more than a passing moment’s thought given to Kaczynski’s victims, which are kept at the same distance and regarded with the same detachment as Kaczynski did, essentially making the movie as cowardly as he is. We see some of the bombings but none of the aftermath, effectively telling us that his crimes were virtually victimless. So the film may not glorify Kaczynski, but it doesn’t condemn him either; it places him in a solipsistic vacuum wherein his actions are tacitly justified. Similarly, what we are briefly told was “the largest manhunt in FBI history” is handled as a mere afterthought. It’s not hyperbole when I say that seldom do you see a movie with its priorities as screwed up as Ted K. The manhunt, that’s your movie. The victims, those are your characters. And the killer, caught only in glimpses until finally properly caught. The Highwaymen understood this a couple of years ago, and that’s why, even as it – like most movies do – falls short technically, it is, story-wise, vastly superior to Bonnie and Clyde. What a thankless role Sharlto Copley got himself into. Not only does his performance come across as the sort of Charles Manson-wannabe that Jeremy Davies used to be able to do in his sleep, but is stuck front and center in every single scene with a character for whom relatability is all but impossible; I mean, I think it’s pretty safe to say that most of us have resisted the urge to kill a nosy neighbor, whereas Kaczynski can’t keep his bloodlust in check even after moving to the middle of nowhere.
The familiar story of Lieutenant Bligh, whose cruelty leads to a mutiny on his ship. This version follows both the efforts of Fletcher Christian to get his men beyond the reach of British retribution, and the epic voyage of Lieutenant Bligh to get his loyalists safely to East Timor in a tiny lifeboat.
In the class-obsessed and religiously divided UK of the early 1920s, two determined young runners train for the 1924 Paris Olympics. Eric Liddell, a devout Christian born to Scottish missionaries in China, sees running as part of his worship of God's glory and refuses to train or compete on the Sabbath. Harold Abrahams overcomes anti-Semitism and class bias, but neglects his beloved sweetheart in his single-minded quest.
This is the true story of Bobby Kent, a teen bully in the suburban town of Hollywood, Florida. Eventually, his best friend and girlfriend team up with the various other kids that are tired of getting beat up by him. Included in that group are the overweight Lisa Connelly. Together, seven teenagers lure Bobby out, deep into the swamp, promising him sex and drugs and when they get there, they beat him to death with baseball bats....
The true and infamous story of Australia's notorious criminal Mark 'Chopper' Read and his years of crime, interest in violence, drugs and prostitutes.
In 1931, three Aboriginal girls escape after being plucked from their homes to be trained as domestic staff, and set off on a trek across the Outback.
In a segregated Texas, five Mexican-American teenage caddies were prohibited from playing at the country club where they worked. Against all odds, they formed their own team, built a one-hole course in the fields, and won the 1957 Texas State championship. Based on a true story.
Biopic tribute to So Wa Wai, Hong Kong's first Paralympic athlete to win gold. Even if you start at a disadvantage, you can still be first across the finish line.
An FBI undercover agent infiltrates the mob and identifies more with the mafia life at the expense of his regular one.
The life and career of shock-jock superstar Howard Stern is recounted from his humble beginnings to his view from the top. Possessing a desire to be an on-air personality since childhood, Stern meanders through the radio world, always with his supportive wife, Alison, by his side. Landing a gig in Washington, D.C., Stern meets Robin Quivers, who will become his long-time partner in crime. When the two move to New York, they face the wrath of NBC executives.
Huo Yuan Jia became the most famous martial arts fighter in all of China at the turn of the 20th Century. Huo faced personal tragedy but ultimately fought his way out of darkness, defining the true spirit of martial arts and also inspiring his nation. The son of a great fighter who didn't wish for his child to follow in his footsteps, Huo resolves to teach himself how to fight - and win.
