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Ted K’s unforgivable sin is that it is too much like its subject, and both are in dire need of a moral compass. The movie presents Ted Kaczynski as a deranged, sexually frustrated, hygienically challenged, cabin-fevered, you-kids-get-off-my-lawn humorless crazy old coot type – so one can’t very well say that co-writer/director Tony Stone (as far as I can tell not related to Oliver, though judging from this film he clearly wishes he were) is glamorizing him; this is by no means the kind of person in whose company you’d want to spend any more time than necessary, even if he weren’t a homicidal maniac. And yet, Stone devotes two hours (this is as bloated and masturbatory an exercise as the “25,000 pages” of lunatic ravings on which it is based) to following this creep around. We see him seethe, sulk, and rant against women and technology, we watch him scheme and plot, in short, we witness him at work – and while Roger Ebert once correctly noted that “Actual work is more interesting than most plots”, he meant honest work, of which Kaczynski, Ph.D. and all, can’t even manage the simplest of manual labors. Two hours of this with no more than a passing moment’s thought given to Kaczynski’s victims, which are kept at the same distance and regarded with the same detachment as Kaczynski did, essentially making the movie as cowardly as he is. We see some of the bombings but none of the aftermath, effectively telling us that his crimes were virtually victimless. So the film may not glorify Kaczynski, but it doesn’t condemn him either; it places him in a solipsistic vacuum wherein his actions are tacitly justified. Similarly, what we are briefly told was “the largest manhunt in FBI history” is handled as a mere afterthought. It’s not hyperbole when I say that seldom do you see a movie with its priorities as screwed up as Ted K. The manhunt, that’s your movie. The victims, those are your characters. And the killer, caught only in glimpses until finally properly caught. The Highwaymen understood this a couple of years ago, and that’s why, even as it – like most movies do – falls short technically, it is, story-wise, vastly superior to Bonnie and Clyde. What a thankless role Sharlto Copley got himself into. Not only does his performance come across as the sort of Charles Manson-wannabe that Jeremy Davies used to be able to do in his sleep, but is stuck front and center in every single scene with a character for whom relatability is all but impossible; I mean, I think it’s pretty safe to say that most of us have resisted the urge to kill a nosy neighbor, whereas Kaczynski can’t keep his bloodlust in check even after moving to the middle of nowhere.
Based on the true story of Joseph and Rebecca Bau whose wedding took place in the Plaszow concentration camp during WW2. Using his artistic skills in the camps, Joseph stays alive and helps hundreds to escape. Miraculously, he finds love in the midst of despair. Years later, when called to be a key witness in the trial of the brutal Nazi officer who tortured him and killed his father, Joseph is thrust back into vivid memories of the Holocaust. Now, he calls upon this love and resilience of spirit to face the ultimate demon of his past.
Manhattan explores how the life of a middle-aged television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.
A dramatic history of Pu Yi, the last of the Emperors of China, from his lofty birth and brief reign in the Forbidden City, the object of worship by half a billion people; through his abdication, his decline and dissolute lifestyle; his exploitation by the invading Japanese, and finally to his obscure existence as just another peasant worker in the People's Republic.
The true story of Henry Hill, a half-Irish, half-Sicilian Brooklyn kid who is adopted by neighbourhood gangsters at an early age and climbs the ranks of a Mafia family under the guidance of Jimmy Conway.
What happens when two profoundly lonely men who are strangers, one older and gay, and the second younger and questioning, take one last chance at making a sincere human connection? Based on true events in the life of the writer/director.
In October 1991, a confluence of weather conditions combined to form a killer storm in the North Atlantic. Caught in the storm was the sword-fishing boat Andrea Gail.
The true story of how Dave Fishwick, a working class man and self-made millionaire, fought to set up a community bank so that he could help the local businesses of Burnley not only survive, but thrive. In his bid to help his beloved community, he has to take on the elitist financial institutions of London and fight to receive the first, new banking license to be issued in over 100 years.
A courageous teacher leads a group against a real estate developer who is determined to evict hundreds to make way for a construction project.
A biopic of writer Truman Capote and his assignment for The New Yorker to write the non-fiction book "In Cold Blood".
Brilliant mathematician, John Nash, is on the brink of international acclaim when he becomes entangled in a mysterious conspiracy.
A twice-divorced mother of three who sees an injustice, takes on the bad guy and wins - with a little help from her push-up bra. Erin goes to work for an attorney and comes across medical records describing illnesses clustered in one nearby town. She starts investigating and soon exposes a monumental cover-up.
