Synnin jäljet

Helene Alving leads an outwardly contented life. On the eve of the 10th anniversary of her husband's death, she is about to open an orphanage as a memorial to him. To mark this occasion, her bohemian painter son Oswald has returned from Paris. Helene plans to take the opportunity to tell Oswald the truth about his father. But ghosts of the past erupt during an eventful evening, bringing the facade of civilised family life crashing down.

A young woman, desperate for connection and a regular at the Broken Hearts Hospital, finds herself prescribed a love-cynical rebound.

Nora is a young housewife and mother, living in a quaint little village with her husband and their two sons. The Swiss countryside is untouched by the major social upheavals the movement of 1968 has brought about. Nora’s life is not affected either; she is a quiet person who is liked by everybody – until she starts to publicly fight for women’s suffrage, which the men are due to vote on in a ballot on February 7, 1971.

Helen Alving leads an outwardly contented life. On the eve of the 10th anniversary of her husband's death, she is about to open an orphanage as a memorial to him. To mark this occasion, her bohemian painter son Oswald has returned from Paris. Helen plans to take the opportunity to tell Oswald the truth about his father. But ghosts of the past erupt during an eventful evening, bringing the facade of civilised family life crashing down.

A young beauty queen travels to New York to further her modelling career, but contracts syphilis after being tricked into a sexual encounter. She is torn between the prospect of a slow, intensive but proven therapy and a supposed miracle cure.

A dramatic comparison between the mating habits of animals and the way humans choose their own partners. The film is now considered to be a lost film.

A doctor who believes that only the immoral catch syphilis reconsiders his stance.

Toni van Eyck became known with her leading role in this early "Aufklärungsfilm" (education film) Gefahren der Liebe/A Woman Branded (Eugen Thiele, 1931) opposite Hans Stüwe. She played a rape victim, who finally becomes a murderess.

Bob, John, and Edward-three young boys growing up in the same neighborhood-have vastly-different experiences with sex. Bob's father patiently explains "the birds and the bees" to him, and even takes him to a hospital to see the effects of venereal disease.

Childhood friends Mary Lee and Vera receive two different versions of the 'birds and the bees' from their mothers. Mary Lee gets the facts, while Vera gets a prudish fairytale version. Their lives separate after graduation, Mary Lee becomes a nurse who falls in proper love with a Doctor, whereas Vera follows her mother's advice and seeks to marry a rich man, but falls for the unlawful and syphilitic charms of a wealthy cad. Mary Lee and her Doctor rescue Vera and help her get proper care after a series of revelations showing actual patients of the loathsome disease. Finally, Mary Lee and her new husband volunteer to help our boys fighting the Huns in France.