Nowhere Land

Crash 'n' Burn is an experimental film shot in and named after Toronto, Ontario's first punk rock club. (Not to be confused with Peter Vronsky's similarly titled 1977 documentary on the Toronto punk scene made for the CBC television network.) The film, shot on 16mm black-and-white stock, features performances by Dead Boys, Teenage Head, The Boyfriends, and The Diodes".

An extraordinary journey into the past to that fateful day, June 6, 1944. Relive the event of D-Day on the beaches of Normandy with Company Sergeant-Major Charlie Martin of the Queen's Own Rifles. Experience an emotional and intensely personal account of D-Day through a combination of interviews, archival film and Charlie Martin's diary excerpts.

This classic short film shows how to make an igloo using only snow and a knife. Two Inuit men in Canada’s Far North choose the site, cut and place snow blocks and create an entrance-a shelter completed in one-and-a-half hours. The commentary explains that the interior warmth and the wind outside cement the snow blocks firmly together. As the short winter day darkens, the two builders move their caribou sleeping robes and extra skins indoors, confident of spending a snug night in the midst of the Arctic cold!

This short film from 1946 presents an outline of the fur trade's history and the commercial use of fur in Canada. A thirst for fur by the kings and courts of the Old World positioned the fur trade as part of the country's industrial economy. Fur farming and conservation became increasingly important, although the lonely life of the trapper remained the same. This film offers a view of both.

After their success climbing the world’s hardest offwidth, the Wide Boyz, Pete Whittaker and Tom Randall, embark on their next crack climbing mission. This time their sights are set on the thinner end of the crack climbing spectrum. Their goal is the mighty Cobra Crack in Squamish BC, considered to be the hardest finger crack in the world. First climbed by Canadian ‘rock star’ Sonnie Trotter after battling it out with Didier Berthod, the route hit the media spotlight in the film First Ascent. With no local hard cracks to train on, the Wide Boyz refit their underground training dungeon and commit to a year of torturous finger training. With only a short trip to Canada planned, the Boyz face their biggest challenge yet against the sharp granite bite of the mighty Cobra Crack!

A short film in the Canada Vignette series. A cinematic portrait of a blind auto mechanic.

For hundreds of years, Taiwan has been under different colonial rules. From the Dutch, the Spanish, the Japanese, and nowadays Republic of China, each regime left their footprints on this island. Only the indigenous people of this island experienced of the process. They were given different names during different periods of colonisation and their cultures have been changed. Through the life of a Truku elder, we see the history of aboriginal recertification movement.

A poignant all-Indigenous English and Cree-English collaborative documentary that breaks long-held silences imposed upon indigenous children who were interned at the notoriously violent St. Anne’s Residential School in Fort Albany First Nation, Ontario. Use of a homemade electric chair at St. Anne's and the incorporation of testimony about student-on-student abuse makes this documentary stand apart from other films about Canadian residential school experiences. This film will serve as an Indigenous historical document wholly authored by Indigenous bodies and voices, those of the Survivors themselves.

The rarely seen lives of an Arctic tribe who try to continue to honor their way of life 80 miles above the Arctic Circle on a fragile barrier island disappearing due to climate change.

The old spirit of the Yukon returns as Dawson City prepares for its Discovery Day celebrations. Witness a round of nostalgic scenes: a main street parade, refurbished saloons, the can-can. Time recedes as the film explores the hazardous mountain passes and the golden creek of Eldorado.

This feature-length documentary by Alanis Obomsawin examines the plight of Native people who come to Montreal searching for jobs and a better life. Often arriving without money, friends or jobs, a number of them quickly become part of the homeless population. Both dislocated from their traditional values and alienated from the rest of the population, they are torn between staying and returning home.