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Saturday Kitchen Live - (Mar 8th)
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Britains Got Talent - (Mar 8th)
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Mafia- Most Wanted - (Mar 8th)
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Crimewatch Live - (Mar 8th)
Rogue Claimers - (Mar 8th)
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Ancient Aliens - (Mar 8th)
The Chase - (Mar 8th)
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I generally enjoyed this film - based on the 'true/shocking' revelations of a (French) female university student who turned to the world's oldest profession to help finance her way thru school. It is, perhaps, the 'expose' angle of the movie that slants the general tenor of the piece towards a negative vibe - as the viewer is introduced to the story's lead character, Laura, and follows her down a path of personal denigration as she barters her youthful body for some spending cash & millennial trinkets. The 'shock value' of the source book from which the screenplay was derived is based on the (purported) 'epidemic' levels of prostitution engaged in by female college students to make ends meet - so it is not surprising that the director has seemingly gone out of their way to make sure that the sexual 'pay for play' activities of the film's star are not made to look 'enjoyable'. In this, at least, they have managed to succeed! The lead actress, Deborah Francois, IS lovely - in just the right way to provide a vulnerable heroine for the sordid tale... and she sure doesn't appear to like what she's doing in the sexual realm - so much so - that after a while I found the plot to become rather disingenuous and dis-engaging. Despite many scenes where Ms Francois fully reveals her attractive body and participates in sexual congress with a variety of sorta 'flawed' male individuals - there is nothing arousing about any of it. Could the girl be any more 'bored' & repulsed?! It really makes one wonder why her one repeat customer 'Joe' keeps coming back for more... or why she sticks it out for as long as she does. Without treading into the politically/morally dicey territory surrounding the whole issue of prostitution - I felt that this film presents a sort of mono-dimensional and moralistic take on the situation. Some reviewers compare 'Student Services' to the likes of "Pretty Woman" and extol its' virtues for presenting a more 'realistic' portrayal of the disagreeable aspects of prostitution - personally I might suggest that a more relevant comparison could be to the cable TV series "Diary of A Call Girl" based on the 'true' adventures of London escort (AND student!) Belle de Jour. 'Belle' also exhibits a 'conflicted' character in trying to reconcile the two sides of her life in the face of society's general disdain for sex workers - but she, at least, takes 'some' pleasure in her craft, and on occasion even finds her sexual skills to be of 'service' in helping individuals overcome personal problems. Admittedly, the 'clients' that Laura encounters in "Student Services" are portrayed as a particularly loutish lot - but 'where's the love'?! Ultimately I began to sympathize w/ her self loathing and sorta lost interest in the 'story' - such as it was. There are obviously 'bigger issues' of youth poverty and socioeconomic inequality at play - but none of them get meaningfully addressed/answered in this film. On a strictly prurient level - worth a look for the fetching form of Ms Francois in the buff - but nothing to get too excited about.
After her sister leaves home, Tari fights to protect her mother from her father's abuse and joins a support group where she meets a new lifelong friend.
Pras wants to realize his dreams of having a significant life and career as a journalist, but Jakarta changes everything.
Simon (Yannick Renier) has to bring his baby back to his ex-wife (Daphne Wellens), who threatens to withdraw custody if he's late again. In the rush, Simon smashes the mirror of a parked car. He decides to flee. As his baby is trying to fall asleep in the morning traffic, Simon notices he's being followed...
Eva, an upper-class housewife, frustratedly leaves her arrogant husband and decides to enter the call girl business. She lets Yvonne, a prostitute, teach her the basics and both set out for prey together, until Eva starts an affair with Chris, who turns out to be a call boy, as well. Consequently, she moves into his penthouse, large enough for both to offer their services separately.
The true story of Joe Simpson and Simon Yates' disastrous and nearly-fatal mountain climb of 6,344m Siula Grande in the Cordillera Huayhuash in the Peruvian Andes in 1985.
Stockholm, in the 1950s. Erik is expelled from the local school for getting into one brawl too many. To protect Erik from his violent stepfather’s reaction to his expulsion, Erik's mother arranges for Erik to spend a year at Stjärnsberg Boarding School, the only school willing to accept him. This is Erik's last chance to graduate to Upper School and he promises his mother, for his and her sake, to do all he can to stay out of trouble.
A filmmaker recalls his childhood, when he fell in love with the movies at his village's theater and formed a deep friendship with the theater's projectionist.
Tom Ripley, an American who deals in forged art, is slighted at an auction in Hamburg by picture framer Jonathan Zimmerman. When Ripley is asked by gangster Raoul Minot to kill a rival, he suggests Zimmerman, and the two, exploiting Zimmerman's terminal illness, coerce him into being a hitman.
Tetsuo Gonda, nicknamed Gon-mama, is a big, macho gay man. During the day, he works out at the gym, and in the evening, he runs his Snack Hibari bar, has various customers, who are also his gym buddies. They all have their own private troubles and sorrows. Every night, Gon-mama and the bartender, Kaori, serve cocktails suited to the problems of their customers, whispering the language of cocktail. Tonight, Ryoichi Shikai, a dentist, shows up again. Ryoichi is usually a cheerful person, but something big is troubling him.