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The grisly murder of Washington Post journalist Jamal Khashoggi inside the Saudi consulate in Istanbul and the subsequent cover-up by the Saudi government is explored in “The Dissident,” a complex and detailed documentary from director Bryan Fogel. Through CCTV footage, social media history, interviews with Jamal’s family and friends, and unprecedented access to video evidence from Turkish police, the film gives an insider look at the why and how of the crime. Fogel includes such a large volume of information in his documentary that it feels unfocused, as he tries to tackle too much in one sitting. Khashoggi was outspoken about his homeland of Saudi Arabia, and the government didn’t take to kindly to what they saw as his rebellious ideas for reform. The journalist was never afraid to speak his mind despite the cyber attacks, threats, and dangers he faced for doing so. He ultimately sacrificed everything for his freedom of speech. The lengths at which those in power in the Saudi government would go to silence dissidents is shocking and frightening, including creating a literal social media army to discredit anyone who disagreed. An estimated 80% of Saudis use Twitter, and social media has a high importance to those living in the Kingdom. The film criticizes this censorship of free speech and draws the conclusion that Khashoggi was killed because of it. The documentary jumps around a lot, and the story is all over the place. There’s an arc that follows Jamal’s fiancée Hatice Cengiz and her fight to piece together clues as to what really happened, a woman who is doing all she can to see that justice is served. Another section features interviews with Jamal’s right hand man Omar Abdulaziz about their plan to collaborate on several social media projects. The most intriguing parts of the film, at the risk of sounding totally morbid, is the true crime story. The interviews with Turkish officials are alarming, and that those likely responsible for ordering the murder haven’t been punished is infuriating. I wish “The Dissident” had been tighter overall, and I think a smaller-scale story would’ve made a better movie. But this sprawling tale of the power of technology, tyranny, love, and murder is one that’s intriguing and will leave you furious and ready to take action. By: Louisa Moore
Really well-done film. I saw the news stories but watching this does a good job of making you pause and realize how absolutely crazy it is that a state can just decide to straight murder somebody, and it's not even on their own soil. I agree that it is also insane that the Saudis can just decide to hack the richest man in the world, all with software designed and sold by a company in what's supposed to be a first-rate democracy, Israel. I appreciated that Fogel, while making sure to put his name prominently in the credits, never featured on camera (it's not even clear if he's the one talking in some of the interviews / back-and-forths). I find that sometimes documentary filmmakers can get a bit egotistical and fall prey to grating self-promotion.
One year after the murder of columnist Jamal Khashoggi, a two-hour FRONTLINE documentary investigates the rise and rule of Crown Prince Mohammed bin Salman of Saudi Arabia (MBS). Correspondent Martin Smith, who has covered the Middle East for FRONTLINE for 20 years, examines the crown prince’s vision for the future, his handling of dissent, his relationship with the United States — and his ties to Khashoggi’s killing. This Episode can be watched Online at (last Update 18th Oct 24): https://www.pbs.org/video/crown-prince-saudi-arabia-1jt2ey
For almost a decade, Mohammed bin Salman, known as MBS, the crown prince and de facto leader of Saudi Arabia, has been shaking up all the pillars of this extraordinary kingdom. The cradle of Islam and the world's leading exporter of crude oil, this Gulf giant has embarked on an unprecedented transformation to meet the existential challenge of the post-oil era. Dreaming of becoming the leader of a stable and prosperous Arab world, MBS is undertaking to transform the austere and rigorous Saudi Arabia into a futuristic utopia. But the rise of tourism, entertainment and the excesses of construction sites are still struggling to make us forget authoritarianism and the repression of opponents. As for the silencing of the religious police, it has not put an end to the oppression of women.
A political thriller examining the complex relationship between the United States and Saudi Arabia, and how the murder of Washington Post journalist Jamal Khashoggi amplified entanglements between the two countries.
Under intense fire from the Russian forces, Ukrainian civilians-turned-soldiers document their first experiences on the battlefield using smartphones and cameras to show the do-or-die reality of war.
Since the mid-20th century, the world has only ever heard one side of an incredible story. The story of a boy from an ordinary family whose ambition was to become an artist, but who instead became a drifter. His destiny, however, was not to drift, but to rise to the greatest heights of power, eventually becoming one of the most influential men who ever lived. Now for the first time, here is a documented account of a story many believe to be The Greatest Story NEVER Told! This ground-breaking documentary chronicles the rise of Germany from defeat in World War I, to communist attempts to take over Germany, hyperinflation during the Weimar Republic, widespread unemployment and misery, and Adolf Hitler’s rise to power. It also reveals the personal side of Adolf Hitler: who he was, his family background, his artwork and struggles in Vienna, and what motivated him to come to power.
Celebrating 50 years since ABBA won Eurovision in 1974 with Waterloo, through the extraordinary and entertaining story of how international stardom almost didn't happen for the group.
The making of the film that introduced Timothy Dalton as James Bond, who gave Bond a darker edge for a new generation.
The story of the band that Paul Weller formed after The Jam split up in 1982, with insight from key members, collaborators and fans.
This Traveltalk entry looks at some natural wonders of the western United States, including the Grand Canyon and the Devil's Tower. The last stop on the tour, an "unnatural wonder," is the Mount Rushmore National Memorial, where sculptor Gutzon Borglum is hard at work. At the time of filming, only the head of George Washington was close to completion. Thomas Jefferson's face was almost finished; only the upper half of Abraham Lincoln's face is visible; and Theodore Roosevelt's head was not yet started.
This Traveltalk series short takes a look at Cairo's landmarks, people, and culture.