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The grisly murder of Washington Post journalist Jamal Khashoggi inside the Saudi consulate in Istanbul and the subsequent cover-up by the Saudi government is explored in “The Dissident,” a complex and detailed documentary from director Bryan Fogel. Through CCTV footage, social media history, interviews with Jamal’s family and friends, and unprecedented access to video evidence from Turkish police, the film gives an insider look at the why and how of the crime. Fogel includes such a large volume of information in his documentary that it feels unfocused, as he tries to tackle too much in one sitting. Khashoggi was outspoken about his homeland of Saudi Arabia, and the government didn’t take to kindly to what they saw as his rebellious ideas for reform. The journalist was never afraid to speak his mind despite the cyber attacks, threats, and dangers he faced for doing so. He ultimately sacrificed everything for his freedom of speech. The lengths at which those in power in the Saudi government would go to silence dissidents is shocking and frightening, including creating a literal social media army to discredit anyone who disagreed. An estimated 80% of Saudis use Twitter, and social media has a high importance to those living in the Kingdom. The film criticizes this censorship of free speech and draws the conclusion that Khashoggi was killed because of it. The documentary jumps around a lot, and the story is all over the place. There’s an arc that follows Jamal’s fiancée Hatice Cengiz and her fight to piece together clues as to what really happened, a woman who is doing all she can to see that justice is served. Another section features interviews with Jamal’s right hand man Omar Abdulaziz about their plan to collaborate on several social media projects. The most intriguing parts of the film, at the risk of sounding totally morbid, is the true crime story. The interviews with Turkish officials are alarming, and that those likely responsible for ordering the murder haven’t been punished is infuriating. I wish “The Dissident” had been tighter overall, and I think a smaller-scale story would’ve made a better movie. But this sprawling tale of the power of technology, tyranny, love, and murder is one that’s intriguing and will leave you furious and ready to take action. By: Louisa Moore
Really well-done film. I saw the news stories but watching this does a good job of making you pause and realize how absolutely crazy it is that a state can just decide to straight murder somebody, and it's not even on their own soil. I agree that it is also insane that the Saudis can just decide to hack the richest man in the world, all with software designed and sold by a company in what's supposed to be a first-rate democracy, Israel. I appreciated that Fogel, while making sure to put his name prominently in the credits, never featured on camera (it's not even clear if he's the one talking in some of the interviews / back-and-forths). I find that sometimes documentary filmmakers can get a bit egotistical and fall prey to grating self-promotion.
One year after the murder of columnist Jamal Khashoggi, a two-hour FRONTLINE documentary investigates the rise and rule of Crown Prince Mohammed bin Salman of Saudi Arabia (MBS). Correspondent Martin Smith, who has covered the Middle East for FRONTLINE for 20 years, examines the crown prince’s vision for the future, his handling of dissent, his relationship with the United States — and his ties to Khashoggi’s killing. This Episode can be watched Online at (last Update 18th Oct 24): https://www.pbs.org/video/crown-prince-saudi-arabia-1jt2ey
A political thriller examining the complex relationship between the United States and Saudi Arabia, and how the murder of Washington Post journalist Jamal Khashoggi amplified entanglements between the two countries.
For almost a decade, Mohammed bin Salman, known as MBS, the crown prince and de facto leader of Saudi Arabia, has been shaking up all the pillars of this extraordinary kingdom. The cradle of Islam and the world's leading exporter of crude oil, this Gulf giant has embarked on an unprecedented transformation to meet the existential challenge of the post-oil era. Dreaming of becoming the leader of a stable and prosperous Arab world, MBS is undertaking to transform the austere and rigorous Saudi Arabia into a futuristic utopia. But the rise of tourism, entertainment and the excesses of construction sites are still struggling to make us forget authoritarianism and the repression of opponents. As for the silencing of the religious police, it has not put an end to the oppression of women.
In 1997, a group of lawyers and activists prosecuted rape as a crime against humanity. This is the story of their fight for the first conviction.
Moment of Impact: Stories of the Pulitzer Prize Photographs, hosted by Sam Waterston, tells the compelling stories behind some of the world's most memorable photographs. Returning to the scene of the action, each photographer describes, in a gripping first-hand account, how they took their prize-winning photographs. The moments they captured forged history and changed lives - including the photographers own. The stories of these unforgettable photographs' own. The stories of these unforgettable photographs - many of them shown here for the first time - are as compelling and long lasting as the images themselves.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
Hollywood veteran Bing Russell creates the only independent baseball team in the country—alarming the baseball establishment and sparking the meteoric rise of the 1970s Portland Mavericks.
Fela Anikulapo Kuti created the musical movement Afrobeat and used it as a political forum to oppose the Nigerian dictatorship and advocate for the rights of oppressed people. This is the story of his life, music, and political importance.