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The grisly murder of Washington Post journalist Jamal Khashoggi inside the Saudi consulate in Istanbul and the subsequent cover-up by the Saudi government is explored in “The Dissident,” a complex and detailed documentary from director Bryan Fogel. Through CCTV footage, social media history, interviews with Jamal’s family and friends, and unprecedented access to video evidence from Turkish police, the film gives an insider look at the why and how of the crime. Fogel includes such a large volume of information in his documentary that it feels unfocused, as he tries to tackle too much in one sitting. Khashoggi was outspoken about his homeland of Saudi Arabia, and the government didn’t take to kindly to what they saw as his rebellious ideas for reform. The journalist was never afraid to speak his mind despite the cyber attacks, threats, and dangers he faced for doing so. He ultimately sacrificed everything for his freedom of speech. The lengths at which those in power in the Saudi government would go to silence dissidents is shocking and frightening, including creating a literal social media army to discredit anyone who disagreed. An estimated 80% of Saudis use Twitter, and social media has a high importance to those living in the Kingdom. The film criticizes this censorship of free speech and draws the conclusion that Khashoggi was killed because of it. The documentary jumps around a lot, and the story is all over the place. There’s an arc that follows Jamal’s fiancée Hatice Cengiz and her fight to piece together clues as to what really happened, a woman who is doing all she can to see that justice is served. Another section features interviews with Jamal’s right hand man Omar Abdulaziz about their plan to collaborate on several social media projects. The most intriguing parts of the film, at the risk of sounding totally morbid, is the true crime story. The interviews with Turkish officials are alarming, and that those likely responsible for ordering the murder haven’t been punished is infuriating. I wish “The Dissident” had been tighter overall, and I think a smaller-scale story would’ve made a better movie. But this sprawling tale of the power of technology, tyranny, love, and murder is one that’s intriguing and will leave you furious and ready to take action. By: Louisa Moore
Really well-done film. I saw the news stories but watching this does a good job of making you pause and realize how absolutely crazy it is that a state can just decide to straight murder somebody, and it's not even on their own soil. I agree that it is also insane that the Saudis can just decide to hack the richest man in the world, all with software designed and sold by a company in what's supposed to be a first-rate democracy, Israel. I appreciated that Fogel, while making sure to put his name prominently in the credits, never featured on camera (it's not even clear if he's the one talking in some of the interviews / back-and-forths). I find that sometimes documentary filmmakers can get a bit egotistical and fall prey to grating self-promotion.
One year after the murder of columnist Jamal Khashoggi, a two-hour FRONTLINE documentary investigates the rise and rule of Crown Prince Mohammed bin Salman of Saudi Arabia (MBS). Correspondent Martin Smith, who has covered the Middle East for FRONTLINE for 20 years, examines the crown prince’s vision for the future, his handling of dissent, his relationship with the United States — and his ties to Khashoggi’s killing. This Episode can be watched Online at (last Update 18th Oct 24): https://www.pbs.org/video/crown-prince-saudi-arabia-1jt2ey
For almost a decade, Mohammed bin Salman, known as MBS, the crown prince and de facto leader of Saudi Arabia, has been shaking up all the pillars of this extraordinary kingdom. The cradle of Islam and the world's leading exporter of crude oil, this Gulf giant has embarked on an unprecedented transformation to meet the existential challenge of the post-oil era. Dreaming of becoming the leader of a stable and prosperous Arab world, MBS is undertaking to transform the austere and rigorous Saudi Arabia into a futuristic utopia. But the rise of tourism, entertainment and the excesses of construction sites are still struggling to make us forget authoritarianism and the repression of opponents. As for the silencing of the religious police, it has not put an end to the oppression of women.
A political thriller examining the complex relationship between the United States and Saudi Arabia, and how the murder of Washington Post journalist Jamal Khashoggi amplified entanglements between the two countries.
Vladimir 518, uncompromising rapper, artist, stage designer and activist, is a rare phenomenon, who not only writes books, but publishes them as well. Today also a respected authority primarily on pre-1989 architecture, he has written not only a major publication on the subject, but also the story for two audiovisual works treating the same theme, which were shot by Jan Zajíček, renowned director of music videos. In addition to the recent TV series we have the eagerly anticipated feature-length film which, through its fascinating and impressive exploration of Czech and Slovak architecture of the latter half of the 20th century, offers exclusive insight into extraordinary buildings and unique individuals living below the Tatra Mountains. Karel Och (kviff.com)
A young man living with his parents in Wisconsin comes face to face with a terrifying monster while searching for the elusive cryptic known as the Hodag.
An investigation by Professor of Geological Sciences, Roger Bilham, of the science behind the earthquake and tsunami off the coast of Japan on March 11, 2011.
A story of the LGBT struggle from the 1960s to the present, after the Stonewall riot sparked the militant action in New York that was to spread around the world. From San Francisco to Paris via Amsterdam, between the first Gay Pride, the election of Harvey Milk, the French "decriminalization", the AIDS epidemic and the first homosexual marriages, these few decades of struggle are embodied through numerous testimonies of actors and actresses of this revolution rainbow.
The mysterious parallel story of Italian painters Andrea Mantegna (ca. 1431-1506) and Giovanni Bellini (ca. 1435-1516), brothers-in-law, public rivals and masters of the early Renaissance.