Too Big to Fail

Ted Kennedy's life and political career become derailed in the aftermath of a fatal car accident in 1969 that claims the life of a young campaign strategist, Mary Jo Kopechne.

A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies.

A producer puts on what may be his last Broadway show, and at the last moment a chorus girl has to replace the star.

Ambitious Emma Eckhert successfully makes her way into a world previously reserved for men: that of high finance. She quickly becomes popular with small savers, but leads a scandalous life that will cost her.

Alma is a young ambitious woman working in her own small company in Barcelona. She is happy in life but constantly dreams of a bigger project that she could work on together with her friends. A project that would bring in their first million. The opportunity finally arises and they buy an old building with a plan to renovate it into luxury apartments. But how to get rid of old tenants without hurting their feelings and without losing your own morals? Furthermore, how to survive from a free fall when you lose all you have? Alma de Sant Pere is a film about dreams, friendships and human values.

When a major bank is caught paying off a corporate extortionist, the media and prosecutors begin to dig, breaking open a money-and-favours scandal that threatens to rock the entire structure of business and government to its core. While the bank's top executives continue to vacillate, a quartet of middle-management reformers, led by straight-arrow Kitano (Koji Yakusho), decide to stage a boardroom coup and install a new, clean management team. With the aid of a hotshot news anchor (Miho Wada) and a hard-nosed prosecutor (Kenichi Endo), heads begin to roll.

A college dropout gets a job as a broker for a suburban investment firm and is on the fast track to success—but the job might not be as legitimate as it sounds.

A young and impatient stockbroker is willing to do anything to get to the top, including trading on illegal inside information taken through a ruthless and greedy corporate raider whom takes the youth under his wing.

Pablo, aged sixteen, lives with his mother. Over the last few years, she has done her best to deal with financial difficulties, but it hasn't been easy. Pablo tries to keep living the way they used to.

Karolina (Katarzyna Zawadzka) works in a bank, she is energetic, self-confident, go-getting. When the latest currency product comes into her hands - a loan in Swiss francs, the woman gets a great chance to prove herself. Having the full consent of his boss - Adam (Tomasz Karolak), he unscrupulously starts persuading clients to take the most risky and unfavorable investments. Jan (Jan Frycz) is the gray eminence of the Polish financiers. In his phone, he has contacts to the presidents of the largest banks in Poland. His cynical ideas and decisions affect the economy and the fate of hundreds of thousands of people overnight. Such as Artur (Rafał Zawierucha) - an ambitious head of an IT company who decides to use currency options to develop his business. His partner is Mateusz (Antoni Królikowski), who dreams of independence, his own place and the longed-for move away from his in-laws.

Leaving In Sorrow is a gritty, realistic portrayal of Hong Kong in the aftermath of the Asian Financial Crisis. It is the first Hong Kong production filmed in the "Dogme 95" style, using hand-held cameras, natural lighting, and real locations. The film follows a disparate group of characters-including a pastor, a magazine editor, and a slacker from San Francisco-who find their lives suddenly turned upside down by events beyond their control.