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The Chase Australia - (Jan 31st)
Extreme Makeover- Home Edition - (Jan 31st)
Reality of Wrestling - (Jan 31st)
Tribunal Justice - (Jan 31st)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
The Bay - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
High Tides - (Jan 31st)
The Eastern Gate - (Jan 31st)
The Chase - (Jan 31st)
TNA iMPACT - (Jan 31st)
Are the self-sufficient couple how members of the royal family should be?
Intimate portrait of the daily life of the British Royal Family drawn from 18 months of filming within Buckingham Palace, Windsor Castle and Balmoral.
In "Diana: The Mourning After" Christopher Hitchens sets out to examine the bogusness of "a nation's grief", tries to uncover the few voices of sanity that cut against the grain of contrived hysteria. His findings suggested that the collective hordes of emotive Dianaphiles sobbing in the streets were not only encouraged but emulated by the media. In the aftermath of Diana's death a three-line whip was enforced on newspapers and on TV, selling the sainthood line wholesale. The suspicion was that journalists, like the public, greeted the death as a chance to wax emotional in print, as a change from the customary knowing cynicism, to wheel out all those portentous phrases they'd been saving up for the big occasion. Sadly, they just seemed to be showboating; the eulogies, laments and tear-soaked platitudes ringing risibly hollow.
Lady Diana Spencer was one half of the highest-profile courtship the British royal family had seen in decades. The wonder of Diana, and her style, stemmed partially from how noticeable she was from the very beginning.
For the first time, the extent of the Duke of Windsor's treachery during World War II is revealed; not just sympathising with the enemy but, new evidence reveals, actively collaborating.
Join sociologists Monique and Michel Pinçon-Charlot on their “investigation” of the French aristocracy and gentry. An entertaining and instructive movie on an exclusive and highly secretive world.
This is the story of how a prince became a king, a revealing portrait of our new monarch across the seven decades he spent as heir to the throne. It’s a journey from cradle to crown told almost solely in his own words, from film and television recordings to private home movies and featuring a wealth of material, some of which has never been seen before. As well as drawing on home movies from the Royal Collection, the film-makers were given exclusive access to sequences featuring the prince, shot for the landmark 1969 film Royal Family, including private unseen moments.
