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What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)
A group of idealistic, but frustrated, liberals succumb to the temptation of murdering rightwing pundits for their political beliefs.
Celestine has a new job as a chambermaid for the quirky M. Monteil, his wife and her father. When the father dies, Celestine decides to quit her job and leave, but when a young girl is raped and murdered, Celestine believes that the Monteils' groundskeeper, Joseph, is guilty, and stays on in order to prove it. She uses her sexuality and the promise of marriage to get Joseph to confess - but things do not go as planned.
A former Fascist takes his son and escapes across the border into France, where he tries to avoid being recognized and having to pay for his wartime crimes.
One of the topics that film affects is dominance the victory over fascist Germany cult in the minds of people and the obscurantist attitude of society towards the Great Patriotic War.
In an orphanage in Tirana at the beginning of the Second World War during the occupation by the Italian fascists, a group of boys make plans to rebel against the despotic director and the oppression by the management.
Stockholm in the 1920s. Young Roland lives with his socialist father, Jewish mother and a boxing brother. His mother sells condoms illegally, and from them, Roland makes slingshots which he sells. His rebellious ways has gotten him the special attention of his school teacher, who always makes sure that Roland is punished. Roland also tries to make extra money by repairing bicycles, a successful business that in the end lands him in hot water.
An art student is thrown out of college. Depressed, he comes up with the Party of Dynamic Erection, a near fascist "party" that promotes male sexual dominance and which attracts a couple of other unsavoury confused characters.
Although released anonymously, as was the custom with all films produced by the Italian Navy, La Nave Bianca is the first feature-length effort directed by Roberto Rossellini; it is also very much the work of its co-writer and supervisor Francesco De Robertis. The film combines a documentary look at the Italian Navy during World War II with newsreel combat footage and a scripted love story performed by non-professional actors.
Aldo Piscitello, a minor government clerk, is forced in 1934 to join the Fascist party. When the war comes, he finds himself able only to talk ineffectually in secret against Mussolini, even as his own son Giovanni is sent into battle. By the end of the war, Aldo has found the courage to stand up for his beliefs, but by then it is too late.