Caos de tránsito

Maria Luiza da Silva is the first transgender in the history of the Brazilian Armed Forces. After 22 years of work in the military, she retired due to disability. The film explores the complex barriers she faced and her path of affirmation as a trans, military and Catholic woman.

Building on Forensic Architecture’s previous investigation into herbicidal warfare and its effects on Palestinian farmers along the eastern perimeter of the occupied Gaza Strip, this investigation marks Land Day in Palestine by examining the systematic targeting of orchards and greenhouses by Israeli forces since October 2023. Our analysis reveals that this destruction is a widespread and deliberate act of ecocide that has exacerbated the ongoing catastrophic famine in Gaza and is part of a wider pattern of deliberately depriving Palestinians of critical resources for survival.

The Antidote weaves together stories of everyday people who are making the intentional choice to lift others up in powerful ways, taking action in the face of fundamentally unkind realities that are once unfortunate facts of life in America and deeply antithetical to our founding ideals.

A chronicle of Cyndi Lauper's meteoric ascent to stardom and her profound impact on generations through her music, ever-evolving punk style, unwavering feminism and tireless advocacy. This documentary takes the audience on an engaging exploration of a renowned and pioneering artist who has left a remarkable legacy with her art.

Refuge(e) traces the incredible journey of two refugees, Alpha and Zeferino. Each fled violent threats to their lives in their home countries and presented themselves at the US border asking for political asylum, only to be incarcerated in a for-profit prison for months on end without having committed any crime. Thousands more like them can't tell their stories.

After the impressive Gulistan, Land of Roses (VdR 2016), the Kurdish filmmaker Zaynê Akyol returns with these conversations with imprisoned members of the Islamic State, alternating their words with aerial views of the countryside. An unexpected look at a far-reaching current political issue and a film whose subject matter and rhythm create an impressive cinematic object.

In the spring of 1970, between the African Orestiade and The Decameron, Pasolini shot a film for which he wrote a commentary in verses but never finished editing. The film was born as a typical Pasolini intervention: filming the strike of the garbage collectors in Rome, who at the time worked in dramatic health conditions, and filming the humility of their daily work, amidst the waste and scraps of society, in the squares and in the streets. Pasolini also filmed the faces of garbage collectors engaged in claims discussions and the result was an extraordinary anthropological picture of an unknown humanity.

The social contract: the rules we follow - and some don’t. Breaking Social uncovers the pattern of corruption and kleptocracy erasing the social tissue, followed by social uprisings. In Chile a new turn is taken, with young women in the lead.

By exploring the relationship between the watched and the watching, our film uncovers the trauma and hope engendered by the Chinese all-surveilling state and lends a voice to those that stand in resilient defiance of such blatant abuse of power.

An account of the last two centuries of the Anthropocene, the Age of Man. How human beings have progressed so much in such a short time through war and the selfish interests of a few, belligerent politicians and captains of industry, damaging the welfare of the majority of mankind, impoverishing the weakest, greedily devouring the limited resources of the Earth.

Over one thousand people have been charged with storming the United States Capitol on January 6, 2021, as part of a widely televised insurrection attempt. Approximately 15% of them worked as police or military personnel. This staggering statistic begs an important question: how can a service member who took an oath to protect the country’s democracy do something that puts that very democracy in jeopardy?