Fifth Avenue

A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.

Adrift in the vast expanse of the ocean, a solitary boat carries three castaways—a man and two women. Stranded and devoid of any glimmer of rescue, they find solace in recounting the tales of their lives to one another. As they delve into their personal narratives, reminiscing about the circumstances that led them to this desolate predicament, they navigate through the depths of three distinct destinies. Bound by the confines of their shared space, every aspect of their existence becomes a boundary, underscoring their plight.

Love Never Dies was set in France, and convincingly so (which was not often the case in American-made films of this period). It is established in the first reel that hero Felix and heroine Cecile have been sweethearts since childhood. Later on, Fate forces Felix and Cecile to separate, but viewers could take heart in the positive sentiments expressed by the film's title.

Maud and Cecil have been in love since they were children in the pre-Civil War South, but Howard, Maud's domineering brother, disapproves of a marriage between them. Instead, he has chosen English nobleman Lord Lovelace as the ideal fiancé for Maud. On the night that the engagement is to be announced, however, she elopes with Cecil. The runaways are caught, though, after which, because of her loyalty to her brother, Maud sends Cecil away. When the Civil War begins, Howard, Lovelace and Cecil all volunteer, and are all soon reported killed in action. Heartbroken, Maud decides to become a nun, and takes her vows just moments before Cecil, whose death was mistakenly reported, returns from the battlefield and comes to the convent to ask her to marry him.

Mildred Gower (Alma Rubens), in order to sane her extravagant mother, Mrs. Elton Gower (Eugenie Besserer), from bankruptcy, shame and scandal, the young society girl is forced to accept the proposal Lemuel Sidall (William Welsh), a wealthy man she loathes.

Four-generation story-saga dealing with the decline of a middle-class Lübeck family. The first adaptation of a Thomas Mann book was also Gerhard Lamprecht’s first major film.

Left penniless by her vengeful ex-husband, Madeline is forced to become a pickpocket to pay for a new wardrobe. One of her victims is a Mr. Finlay, who threatens to turn her over to the police - until he hears Madeline's woeful tale of her cruel, possessive husband.

When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.

Wealthy Jack Stimson (Jay Belasco) falls in love with Broadway diva Velma Vrooman (Gretchen Lederer), and for her sake bankrolls the musical production in which she is currently starred. But when Velma proves to be fickle and unreliable, Jack shifts his affections to humble chorus girl Bobbie (Louise Lovely).

Gabrielle Picard (Elda Hall) and Pierre Dupont (Rupert Julian) are lovers in a small French village in the early 1870s; Gabrielle's brother Anatole (Kingsley Benedict) is Pierre's best friend. The two young men are called to service by their country and go to Algiers. Anatole becomes the bugler and one day when he is commanded to sound the retreat, he sounds for the troops to charge instead. Anatole becomes a hero because of his action, but when the two men make their victorious return home, they find the Picard home ransacked and Gabrielle gone.