War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/dont-look-up-spoiler-free-review "Don't Look Up hilariously approaches almost every theme worthy of discussion through Adam McKay's satirical screenplay that will undoubtedly leave viewers either incredibly satisfied or extremely triggered, depending on their opinion about certain subject matters. Boasting an absolutely stellar cast, Netflix grabs a bold, divisive awards contender. Packed with allegories, references, and direct jokes surrounding all kinds of media, governments, socio-political topics, and environmental issues, McKay doesn't hold back, which might be a decisive factor in the audience's response. The cast offers unbelievably great performances, but without the protagonists Leonardo DiCaprio and Jennifer Lawrence, viewers would definitely look down to their phones instead of paying attention to the film. A fun flick to watch during the Christmas season." Rating: B+
This is of course social and political satire, and it is sad how much of it rings true. It can be difficult to satirize the excesses of the rich and famous — or even the redneck poor — and the social media juggernaut. But the script clicks on all cylinders a lot of the time and entertains as it eviscerates. I have always liked Mark Ryland’s roles, and this is a real departure for him as the media giant and third richest human ever. But I mostly found it difficult to like Dr. Mindy as he gradually adjusts his beliefs and personality to suit his new fame. My sympathy was with his wife and family, afterthoughts for 95% of the movie. But it was an entertaining movie and I would be willing to watch it again someday, not because of the serious issues it raised (slightly) but just to catch more of the social media and television images that flash across the screen too quickly to take them all in. The social media satire works better, I think, than the political side, which seemed sometimes to just choose an actual person and thrust a version of them into the scene.
Full Analysis at **Spotamovie.com** **_Intro _**The movie offers several denounces about our society, politicians, and media. We will tell you more in the analysis section of this post. But, on the other hand, the film is sharp, enlightening and it tries to wake up our minds because we lost our ability to think with our brain and see the reality of what is happening around us. **The Story** Two astronomers discover a comet orbiting within the solar system. Although the scientific community may be excited, the reality is that the comet will crash on earth precisely in 6 months and 14 days. Kate Dibiasky (Jennifer Lawrence) and her professor Dr Randall Mindy (Leonardo Di Caprio), immediately understand the apocalyptical consequences because the impact will wipe out any form of life from our beloved planet.Their mission is to inform the president of the United States of America and find a way to change the comet’s trajectory. The world must unite its strengths and save the life from a tragic end.How is the world going to react? After the comet, what else are our astronomers going to find out? And what the movie wants to teach us? **Discover more at https://www.spotamovie.com/dont-look-up-movie-review-and-analysis-2021-movie/**
Poor old "Kate Dibiansky" (Jennifer Lawrence) and her professor "Mindy" (Leonardo DiCaprio) have the misfortune to discover an huge comet heading on a collision course with Earth. When they report this to "Oglethorpe" (Rob Morgan) - the man at NASA charged with coping with such existential threats, the three are now exposed to the upper echelons of the US administration that frequently elicits a smile and a grimace from the audience. The real star of the movie, Meryl Streep, is "President Orlean" (Yes, guess what her Christian name is?) who presides over her government with the aid of her hapless chief of staff son "Jason" (Jonah Hill) in what is a very thinly veiled swipe at all things Trumpian. The story pretty much follows the thread of "Meteor" (1979) only with better special effects, and the corporate machinations of the "Blofeld"-esque "Isherwell" (Sir Mark Rylance) add quite a bit of faux-menace to this rather entertaining parody of disaster movie meets political drama by way of some manipulative and fickle television journalism (epitomised by a fun contribution from Cate Blanchett). The pace of the film is a bit hit-and-miss, but keep an eye out for a nice couple of scenes from Ron Perlman as the archetypally gung-ho, militaristic, "Drask" and from Timothée Chalamet (where does he find the time?) as the hippy love interest "Yule" that both add some bulk and humour to the otherwise quite flimsy plot that enjoys quite a really fitting end. At the top end of Netflix' productions this - for a change some decent writing accompanies an on-form cast and i enjoyed it.
This is the story of 1970s African-American action legend Black Dynamite. The Man killed his brother, pumped heroin into local orphanages, and flooded the ghetto with adulterated malt liquor. Black Dynamite was the one hero willing to fight The Man all the way from the blood-soaked city streets to the hallowed halls of the Honky House.
Britannia Hospital, an esteemed English institution, is marking its gala anniversary with a visit by the Queen Mother herself. But when investigative reporter Mick Travis arrives to cover the celebration, he finds the hospital under siege by striking workers, ruthless unions, violent demonstrators, racist aristocrats, an African cannibal dictator, and sinister human experiments.
Imagine what it would be like if black settlers arrived to settle a continent inhabited by white natives? In 1788, the first white settlers arrived in Botany Bay to begin the process of white colonisation of Australia. But in Babakiueria, the roles are reversed in a delightful and light-hearted look at colonisation of a different kind. This satirical examination of black-white relations in Australia first screened on ABC TV in 1986 to widespread acclaim with both critics and audiences alike. This is the story of the fictitious land of Babakiueria, where white people are the minority and must obey black laws. Aboriginal actors Michelle Torres and Bob Maza (Heartland) and supported by a number of familiar faces from the time, including Cecily Polson (E-Street) and Tony Barry, who starred in major ABC-TV hits such as I Can Jump Puddles and his Penguin award-winning Scales of Justice. Babakiueria was awarded the United Nations Media Peace Prize in 1987.
Radio personalities Larry Abbot and Vickie Pearle are stars of a mystery show. Since they announced their engagement, Larry has been plagued by speech problems and, seeking out an unconventional cure, he returns to his boyhood home, a mansion in the countryside, bringing Vickie along. Larry reunites with numerous family members, but discovers that there are sinister things afoot within the walls of the creepy estate.
Sir Guy Grand, the richest man in the world, adopts a homeless man, Youngman. Together, they set out to prove that anyone-and anything-can be bought.
Eva Dandridge has been in charge of her younger sisters ever since their parents died many years ago. She is a very uptight young woman who constantly meddles in the affairs of her sisters and their significant others. Her brothers-in-law, who are tired of Eva interfering in their lives, decide to set her up with someone so she can leave them alone. They end up paying Ray, the local "playboy," $5,000 to date her. The plan goes by smoothly, but trouble comes when Ray actually falls in love with Eva.
When Madea catches teenage Jennifer and her two younger brothers looting her home, she decides to take matters into her own hands and delivers the young delinquents to the only relative they have: their aunt April. A heavy-drinking nightclub singer who lives off of her married boyfriend, April wants nothing to do with the kids.
Technoburger, a horror-satire anthology, uncovers the unnerving implications of technology addiction as four individuals' lives are disrupted by their digital obsessions, blurring the lines between reality and the virtual world under the omnipresence of a dominating tech corporation.
Nikolai Gogol's The Inspector General is a satire play well-known around the world. In the period between the end of World War II and the 1960s, the play was adapted in Hong Kong cinema a total of six times. Director Huang Yu alone adapted it twice, as a Republic era story and a period comedy, respectively. The 1955 Republic era-set film is more faithful to its source material, following a spoiled rich brat who is mistaken as a government inspector in a small town and ends up being wined and dined by a corrupted local official. The film pokes fun at the ugliness of bureaucracy in old society, calling back to renowned Qing Dynasty novel Officialdom Unmasked while keeping the original play's artistic style.
Tells the early history of how conflict began between the humans and machines. Part 1 of 2.