The Good Stuff with Mary Berg - (Nov 30th)
TMZ Live - (Nov 30th)
The Last Socialist Artefact - (Nov 30th)
On Patrol- Live - (Nov 30th)
Belle Collective - (Nov 30th)
Diners, Drive-Ins and Dives - (Nov 30th)
The Last Woodsmen - (Nov 30th)
WWE SmackDown - (Nov 30th)
Scare Tactics - (Nov 30th)
Unreported World - (Nov 30th)
The ReidOut with Joy Reid - (Nov 30th)
Im a Celebrity... Unpacked - (Nov 30th)
Gold Rush - (Nov 30th)
Deadline- White House - (Nov 29th)
The Beat with Ari Melber - (Nov 29th)
Cops - (Nov 29th)
The Last Leg - (Nov 29th)
Have I Got News for You - (Nov 29th)
Gogglebox - (Nov 29th)
The One Show - (Nov 29th)
This is a film that raises a lot of questions and only occasionally gives you answers. For most people that might be frustrating, but I prefer that in a film. Inception, Shutter Island, Primer, 2001, Mother!, Lost Highway - they all leave you wanting more, and that's exactly what I felt at the end of this beautiful microbudget film. I feel like originiality is lacking from the cinema these days. Everything seems to be remake, sequel or franchise, so it's refreshing to find films like this. The acting on show here, especially from Liam Blundell (Kino Warren) and Ross Leyshon (The Philistine) is full of range and intensity. Usually the first thing that suffers on lower budget films is performances, but that's really not the case here. If anything it's what gives the bizarre events throughout such emotional weight. It's really well shot by Andrew Toovey, the music by Sebastian Moody took my breath away, and the ideas in the script are out of this world! I feel like it could've been maybe five minutes or so shorter in a couple of places, but that's minor criticism for a film this rich and profound. The ending moved me greatly and I look forward to watching it again soon. Highly recommend!