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Ain't no valley low enough - Ain't no river wide enough. Deep Valley is directed by Jean Negulesco and adapted to screenplay by Stephen Morehouse Avery and Salka Viertel from the novel written by Dan Totheroh. It stars Ida Lupino, Dane Clark and Wayne Morris. Music is by Max Steiner and cinematography by Ted McCord. Libby Saul (Lupino) lives in a run down farm house with her unfeeling and estranged parents. Having developed a stammer due to her stmyied life, her only solace comes from walking in the woods with her dog. Then one day she happens upon a convict work party and takes interest in one of them, Barry Burnette (Clark). He's free too... Off the bat you have to be warned that this is very slow going for the first two thirds - almost painfully so. So with the story hardly being compelling in the first instance, or credible of course, it's on shaky ground and becomes tough to recommend with confidence. However, there's plenty to enjoy as it plods along and the final third is well worth waiting for. The whole look of the piece is an atmospheric delight, McCord bringing some monochrome magic. The inside of the cottage is oppressive, director and cinematographer neatly marrying the visuals up to how Libby feels. Other scenes are pure visual treats, such as out in the barn as the sunlight shines through gaps in the wood to reveal a ghostly mist, or subtle shots like river ripples reflected onto Libby's face, there's enough tech skills on show to keep you interested. Add in yet another superb performance from Lupino and you should want to stay all the way here. Narratively it comes down to finding love under trying circumstance, and that of the big decisions we face in life. Libby is faced with a choice, the bad boy or safe boy conundrum rearing its potent head. It all builds to a finale of substance that tantalises the heart and head in equal measure. No great film by any stretch of the imagination, the tech credits better than the actual play itself, but it warrants respect and worth a viewing for sure. 6/10
There are two places Nicky Leandro calls home each reinforcing a particular facet of his personality: the red-blooded New Yorker and the L.A. transplant. Up until now each have done a fine job of compartmentalizing themselves. That is until Lily, an old flame, gets a hold of him right as he's about to head home for the holidays.
A death sentence inmate escapes prison and seeks asylum in a rich widow's house where she is living with her only daughter. Whether the marriage of her daughter will happen as planned forms the crux of the story.
Donya, a lonely Afghan refugee and former translator, spends her twenties drifting through a meager existence in Fremont, California. Shuttling between her job writing fortunes for a fortune cookie factory and sessions with her eccentric therapist, Donya suffers from insomnia and survivor's guilt over those still left behind in Kabul as she desperately searches for love.
In this crime drama, a ruthless gangster's son is soon following in his father's footsteps. When his daddy kills an FBI agent and a cabby, the boy sees it all. Fortunately the courts intervene and send the lad off to live with a family of farmers.
Deep in the forests of the Pacific Northwest, a father devoted to raising his six kids with a rigorous physical and intellectual education is forced to leave his paradise and enter the world, beginning a journey that challenges his idea of what it means to be a parent.
Russell Hatch, an Interpol operative who takes on the role of father figure to Jayden, the son of an informant killed in a routine raid gone wrong. Years later, Hatch finds himself protecting Jayden and his grandfather from a group of merciless gangs in an all-out turf war, stopping at nothing to protect Jayden and fight anyone getting in his way.
In the California apple country, 900 migratory workers rise 'in dubious battle' against the landowners. The group takes on a life of its own—stronger than its individual members, and more frightening. Led by the doomed Jim Nolan, the strike is founded on his tragic idealism—'courage, never submit, or yield'.
A newly-released prison gangster is forced by the leaders of his gang to orchestrate a major crime with a brutal rival gang on the streets of Southern California.
One of the social guidance / scare films made by prolific filmmaker Sid Davis, “Book Him!” was produced in the 1960s. It shows various youth / delinquents and the crimes they commit, and centers on the story of a white, teenage boy who is arrested.
A very stressed young woman is dismayed to find herself behaving like her own mother, with whom she has an extremely combative relationship.