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My Hero Academia Youre Next 2024 - Movies (Feb 28th)
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The Beat with Ari Melber - (Mar 1st)
Alex Witt Reports - (Mar 1st)
Britains Got Talent - (Mar 1st)
Gladiators - (Mar 1st)
The Fifth Estate - (Mar 1st)
Rogue Claimers - (Mar 1st)
Dark Side of the Cage - (Mar 1st)
Solo Leveling - (Mar 1st)
The Katie Phang Show - (Mar 1st)
The Kelly Clarkson Show - (Mar 1st)
One Killer Question - (Mar 1st)
Marketplace - (Mar 1st)
Horrible Histories - (Mar 1st)
WWE SmackDown - (Mar 1st)
On Patrol- Live - (Mar 1st)
My Lottery Dream Home - (Mar 1st)
Diners, Drive-Ins and Dives - (Mar 1st)
Dateline- Secrets Uncovered - (Mar 1st)
The Way Home - (Mar 1st)
The Last Word with Lawrence ODonnell - (Mar 1st)
A short promotional film on the making of “The Wiz” (1978). Includes a brief history of Oz portrayals in film and behind the scenes interviews.
A behind-the-scenes look at the creation of Walt Disney Animation Studios' MOANA, as aided by the Oceanic Story Trust.
A celebration of the 30+ year legacy of the Child’s Play franchise and iconic character, Chucky, with never-before-seen interviews with franchise creator and actors.
A humorous documentary on the making of Alex Cox's punk biopic SID AND NANCY. Features exclusive behind the scenes production and commentaries from Alex Cox, Gary Oldman, Chloe Webb, David Hayman, Eric Fellner and more...
A short biography of life of St Thomas More. Contains clips from the 1966 feature film "A Man For All Seasons."
An inside look at the making of the movie Star Wars: Episode VII - The Force Awakens (2015), featuring footage and exclusive interviews with the actors and filmmakers.
Join director Clint Eastwood and his creative team, along with Bradley Cooper and Sienna Miller, as they overcome enormous creative and logistic obstacles to make a film that brings the truth of Navy SEAL Chris Kyle's story to the screen.
Amy Steel discusses her part in the Friday the 13th franchise
Homeo is a mental construction made from visual reality, just as music is made from auditive reality. I put in this film no personal intentions. All my intentions are personal. I’ve made this film thinking of what the audience would have liked to see, not something specific that I wanted to say: what the film depicts is above all reality, not fiction. Homeo is, for me, the search for an autonomous cinematographic language, which doesn't owe anything to traditional narrative, or maybe everything. Cinema is, above all, part of a way of life which will become more and more self-assured in the years and century to come. We are part of this change, and that’s why I tried in Homeo to establish a series of perpetual changes, in constant evolution or regress, which tries, above all, to focus on things.