怪談有馬猫

A man is increasingly unnerved by a mysterious portrait. Based on a story by Nikolai Gogol, the film is thought to have run about 45 minutes long, but only an 8 minute fragment is known to have survived.

This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.

Whilst documenting his life as a lowly intern, James Parker (James Powell) uncovers the long forgotten film, The Street Walker. Desperate to make a mark on the film industry and to prove his ever-doubting parents wrong, James endeavours to complete the unfinished horror movie, resulting in a murderous obsession.

A quintessential example of the period "ghost cat" (bakeneko or kaibyo) movie, this was one of at least six such titles released by the studio Shinko Kinema between 1937-40 featuring Japan's first scream queen, Sumiko Suzuki. Here she plays Mitsue, the possessive onna-kabuki actress betrothed to apprentice shamisen player Seijiro. When one day Okiyo, a beautiful young girl of samurai class, is led to Seijiro's house by his lost cat Kuro, she becomes besotted with him. Dark jealous passions are invoked in Mitsue, which are intensified when Seijiro gifts Okiyo his precious shamisen. The cat is the first to suffer at the end of Mitsue's hairpin, but returns from the grave to assist Okiyo's younger sister Onui avenge her sister's murder.

A man takes a job at an asylum with hopes of freeing his imprisoned wife.

In a dream Uncle Jack looks through a magic telescope owned by the ghost of a hermit and sees what life was like millions of years ago, including a battle between prehistoric monsters.

In a prologue and four acts (the prologue and the first act are lost so is necessary to describe what happens with title cards) the film depicts the terrible dream of Asmus wherein the devil joins the human world disguised as a tinker. He meets Frau Ane, Asmus' wife; Ane yearns to have a baby but in vain so the devil takes advantage of Frau Ane's motherly inner desire by making a deal with her but for his own purposes. As a result, the farmer's wife comes under the devil's spell and then seduces the local priest, giving the devil to chance to build his own church to replace the old church that has burned down.

The long dead ancestress of a noble family returns to haunt her last two remaining descendants. She can not rest until the entire family line has passed away. When she reappears, the household knows it is an ill omen. The patriarch of the family is old, and without a son. He is eager for his daughter to marry. She has her eye on a handsome young nobleman named Jaromir, but he isn't quite who he appears to be. This may be the opportunity the restless spirit has been waiting for for so long...

Nabeshima Naoshige murders his lord, Ryuzoji Takafusa, seeking to gain power and steal his Lord’s wife. To avoid her fate, Lady Takafusa drowns herself along with her cat in a nearby marsh. A decade later, Naoshige’s efforts to steal another woman trigger a curse on him when she also commits suicide at the same marsh — forcing him to suffer the consequences of his past actions.

Alice Guy's version of Edgar Allan Poe's The Pit and the Pendulum. This film is partially lost.